It’s 7.45. Here’s the sunrise on our way to Studley Royal.
And having met the rangers and our fellow walkers – volunteers on the site, here’s who we’d come to see.
Red deer, but ancient trees too. Cherry trees aren’t meant to last 400 years, but somehow this one is clinging on. Whereas the oak nearby is thought to be more than 800 years old, and dating from the days when the monastic community was at its height in nearby Fountains Abbey.
The ancient cherry …… and its trunk.An oak dating from the time when nearby Fountains Abbey was a busy monastic community.
Come with us as we walk past the entrance to the park, framing the view down towards Ripon Cathedral, before we climb uphill to less frequented parts of the parkland, where deer usually roam free and we could enjoy open views across to Ripon and the North York Moors beyond.
The river down the track from us is a favourite fishing ground for herons. I love to watch them as they patiently watch too, for fish. And I love it too that wherever we travel, we’re likely to see local herons about their business. The one in the featured photo lives on the Guadalquivir in Córdoba, but his routines seem just the same as those of our Yorkshire birds.
This one lives in Kew Gardens, and the heavy rain makes him look a little out of focus:
Here are a few more:
Elke of Pictures Imperfect demonstrates that the black-and-greyness of these birds makes them ideal for Jude’s Life in Colour challenge, as she’s seeking shots that are black and grey this month.
I blame the Church of England. Tomorrow is Stir Up Sunday, the day when all right-thinking people in Britain will dig out their dried fruits and candied peels, their sticky, treacly dark sugars, eggs, butter, spices, zesty lemons, brandy, weigh them out and mix them all together. They’ll bring the family into the kitchen, get everyone to stir the mixture, making a wish as they do so.
And why? Because as they kneel at their devotions in church at Morning Service, those Good Ladies of the Parish will hear the priest intone the Collect for the Sunday Next Before Advent ….
Stir up, we beseech thee, OLord, the wills of thy faithful people….
‘Stir up? Stir up? I haven’t made the pudding yet! Best go home and make the Christmas pudding’
You might not be a Good Lady of the Parish. You might not even be a Good Lady. But you’d better get on with making that pudding tomorrow. I’m telling you today so you can nip out and buy anything you might not have to hand. Go to. Stir Up Sunday is the day. Your Christmas depends on it.
William’s actually making this year’s Christmas cake. But the ingredients for both cake and pudding are virtually identical,
What a good idea Becky had when she began to start her blogging week with a favourite portrait! I’m going to follow suit, and choose to give fifteen seconds of fame to a special bird: a stork, nesting on a church in Tudela in Spain.
Since clock change, I’ve been unable to wake up later than 5 o’clock. So inspired by Becky’s walk at sunrise, and by the clear sky last night, I was out by 6.00 to catch the sun’s first rays. But it was cloudy – thick cross-patch grey. And my phone doesn’t do low light levels. But here’s my early morning photo-diary. With not a sunrise in sight.
What a doddle it must be to erect a modern high-rise building, compared with the difficulties faced by those builders in mediaeval times. Their churches and cathedrals soar dizzyingly heavenwards without benefit of modern scaffolding kits, cranes and mechanical diggers.
It’s the view of Cádiz shown in the featured photo that prompted thoughts like these. The modern industrial hub is visible from the older city centre. Here’s another view:
Cádiz
Let’s go to London, a city so changed from the days when I lived there in the 1950s and 60s. Here’s a gallery of soaring towers, and the cranes that made building them possible. There are even cranes surrounding St. Paul’s Cathedral. And The London Eye makes a useful picture frame for yet another high-rise office.
And here’s new and old, juxtaposed: from Gherkin to Tower of London
Slightly off-topic, I have to include a few shots from the Gasholder development in Kings Cross. From dirty industrial back streets to desirable address in an imaginative few years.
There’s one cathedral still under construction that’s taking even longer to build than its mediaeval antecedents: La Sagrada Familia in Barcelona. Look.
Did you notice the builder in his hi-viz gear and safety equipment? He’s not the only one who needs to have a head for heights on these modern buildings. Here’s a team of window cleaners in Warsaw:
Tina has invited us, in this week’s Lens-Artists Challenge #173 to choose interesting architecture. I’ve chosen to focus on how the buildings I’ve selected reached such immense heights.
It is a grey Monday outside. And Jude has invited us to celebrate grey and black in this month’s Life in Colour challenge. Let’s go on one of our mini-breaks and see what we can find. We’ll start in London:
We’re walking down the South Bank here. That’s the Oxo Tower in the distance.
Oh, but maybe London’s too obvious as a starting place. Let’s start from Gateshead instead, and join a group gazing out of the window from the Baltic Centre.
We’re off to Spain now. We’ll stop off in Seville. You may need a comfort break by now, so we’ll stop off at the public toilets in Plaza de España, and enjoy the reflections we can see in its glass walls.
Plaza de España, Seville
Shadows from street lights as evening falls, but we get away in time to see the Alhambra in Granada illuminated at night – it’s the featured photo.
Shadows in Seville
We’ll pop across the next day to see my daughter in Premià de Mar. It’s silhouettes and sunny shadows there.
This is only a mini-break. We’ll go home via Whitby and just have a stroll to the end of the pier. There are always cormorants there. And seagulls on the rooftops.
‘On the first Saturday of every month, a book is chosen as a starting point and linked to six other books to form a chain. Readers and bloggers are invited to join in by creating their own ‘chain’ leading from the selected book.‘
I haven’t read What are You Going Through by Sigrid Nunez, so I’ll rely on Kimbofo’s summary in her blog post on this book: ‘This is a story about stories — the stories we hear, the stories we write, the stories we tell ourselves… It’s about truth and fiction, confronting our fears, searching for hope to sustain us and caring for others. Most importantly, it’s about life and death, and asks pertinent questions about what makes a good life — and what makes a good death.’
My link to this is Alice Zeniter‘s The Art of Losing, a story told through the eyes of Naïma, a third generation French-Algerian. I was engaged in this book from start to finish. It’s the 70 year story of a family, and begins in a village in Algeria, where Ali has made good and become a figure of some importance in his family and community. The Algerian War of Independence changes all that, and forced to flee to France, they become harkis (French Algerians), despised alike by the French whom they live among and Algerians who remained in the home country. A life of camps and sub-standard accommodation and work awaits them. It falls to university-educated Naïma, Ali’s granddaughter, finally to visit Algeria again and make some sense of what she finds. This is a story about colonisation, immigration, and how to carry on in the face of the loss of your country and cultural identity, and is both a powerful history lesson and a meditation on the difficult questions posed by the cultural upheaval of being forced to leave your home country.
Nassim Ali, Unsplash
This leads me to Doria, a French-Moroccan teenager living with her mum in one of the soulless housing projects that encircle Paris, and whose story is told by Faïza Guène in Kiffe Kiffe Demain. We were living in France when I read this – oh, maybe ten or more years ago. But it’s stayed with me as a touching, funny and furious story of a sparky young woman prepared to make a go of things when her education, her family circumstances, her address, and a dose of casual racism stacks everything against her.
Parisian alley: Selenee 51, Pixabay
Another story of an immigrant, and like The Art of Losing, based on fact. The Fortune Men, by Nadifa Mohamed is a re-imagining of the life of a Somali seaman, Mahmood Mattan, wrongfully convicted of the murder of a Cardiff shopkeeper, Violet Volacki. At first the book swings between telling Mattan’s story and that of the victim, and her family. As the story unfold, Mahmood blossoms as a character. He’s a chancer, a thief, an adventurer, a lover and a doting father of three little boys. But he’s not a murderer. He’s the victim of racism, both from different elements of the multi-ethnic community in Cardiff where he then lived, and institutional racism at the hands of the Police, false testimony, and fabricated evidence. The most involving part of the narrative describes Mattan’s incarceration, when he evolves and shape-shifts as a character: tough, vulnerable, a risk taker, a believer in British justice. A moving, nuanced and compassionate re-imagining.
Gonzalo Facello, Unsplash
The same period of history, but we’re moving to London for Frances Spufford‘s Light Perpetual. I liked this book. I had high expectations, having thoroughly enjoyed Golden Hill and Red Plenty, and while this didn’t quite measure up, reading this book was time well spent. Several children died in South London during WWII when a Woolworth store took a direct hit. What if they’d lived? This is what Spufford explores, dropping in on 5 lives at 15 year intervals. The writing is good – that goes without saying. My only reservations are that the five characters he choses live lives which are all late 20th century issue-driven: the woman married to a National Front thug; the music lover who makes good in the 1960’s popular music scene; the sufferer from inner demons, addicted to his prescribed drugs; the Sahf London wide boy, and the print-worker whose career is swallowed away by the computer revolution. Accepting all this, the book is well done and realised and carried me along to its conclusion, a re-working of Psalm 150, which was a staple of my London C of E grammar school days at exactly this period.
London, any time from 1900 to about 1960
Children died in my next choice too. The Green Hollow by Owen Sheers. I was 19 when disaster struck Aberfan, just doing an afternoon shift in the lending library where I worked. No internet then, no social media. It was rare for news items to reach us during the working day. But this did. And it touched us, horrified us even before we understood the full extent of the tragedy, though we didn’t talk about it together. It was too shocking. Owen Sheers put me back in touch with those feelings. He paints a scene of ordinary families getting ready for the day, ordinary children chattering their way to school, an ordinary teacher taking the register. A series of letters explain why the Coal Board is taking no action about the slag heaps, despite the concerns of the council. And then …. a rumble, a roar develops. That is all. Then we switch immediately to the rescue. To the young medical student who finds himself unwittingly part of the rescue operation, to the miners, parents, journalists. To the street where every single house has the curtains drawn. Death has touched them. Now the town is different. Life goes on. It has to. Children yearn to appear on ‘Strictly’ while every year commemorating what happened all that time go. Scars exist alongside hope.
The Aberfan Colliery spoil tramway in 1964, with spoil heaps at top left. John Tom, Wikimedia Commons
Goodness. I can’t leave things here. What can I do to lighten the mood? Well, it’s a bit of a stretch, but I have taken you round Europe and Africa, and maybe we went by ship. Deep Sea and Foreign Going: Inside Shipping, the Invisible Industry That Brings You 90% of Everything, by Rose George. Fascinating. The story of container shipping. How it gets from A to B. Why it gets from A to B and under what constraints. What it transports from A to B and then from B to A. How goods got from A to B prior to container shipping… and so on. There was me thinking that I was trying to be green, avoiding air freight where possible. It turns out that container ships are dirty, polluting, can employ crew in less than savoury conditions and for slave-wages, and which expose them, among other things, to piracy. Frankly, it sounds hell. And yet … the camaraderie and the draw of the sea encourages some to come back, contract after contract to a world they love. Beautifully written, absorbing and informative. A book I would never have chosen to read – but that’s what bookish friends are for. Thanks, Penny!
An empty container ferry near Rotterdam
PS. In a recent post, I indicated that I would post a review of Yrsa Sigurðardóttir: Gallows Rock. It got edged out, but I’m sure its moment will come.
PPS. Frank’s Beach Walk Reflections are his thoughts as he enjoys a seaside walk. Today, he’s thinking about red, and he’s used some of my photos, as well as those of three fellow-bloggers. You might like to take a look.
From Pyrenees to Pennines 
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