Tag: Premià de Mar

A Lake, the Sea, a River

Patti invites us, in this weeks Lens-Artists Challenge, to consider the shots we take – those which have a foreground – perhaps introducing the scene; middle ground – perhaps what the shot is ‘about’; and background, setting the shot in its context, and rounding our ‘story’ off.

I’ve chosen three watery shots. The first, the featured photo, is so freighted with memories of a calm, peaceful November evening at l’Albufera, Valencia, full of peace and joy that I can’t really judge it on its merits. I like the swell of the rippling water in the foreground. The middle ground merely has a bird (I can’t any longer remember what kind) pausing on that pole: for me providing a little context. And the background is surely that dramatic evening sky?

My second is also an evening shot: a beachside walk in my daughter’s home town in Spain. There are seashore strollers silhouetted in the foreground. The Mediterranean itself provides middle-ground context, with no action whatsoever. And there’s Barcelona in the background. Or is Barcelona part of the middle ground, with the sunset providing the backdrop?

I come closer to home for my last shot, to Knaresborough. The raven perching on the wall is a surprising visitor to the photo, perhaps acting as compère, describing the scene behind: the quiet River Nidd and riverside houses. Behind is the commanding viaduct. Is this background feature actually the dominant part of the image? Three sides of the shot are framed by trees, giving a slightly bucolic air to this urban scene.

This was an interesting challenge, Patti. I think that in some ways the techniques you describe start to become more instinctive the more time one spends with camera in hand. But it’s good consciously to revisit them and think about them anew. But looking out of the window at the rain, I think I may give photography a miss this weekend!

Backlighting for the Bold

Oooh. For Monochrome Madness this week, Brian Bushboy has set a challenge and a half. Backlighting. What? I hear non-photographers ask. Here’s what Brian says: ‘Backlighting in photography is a way for photographers to create dramatic lighting. This involves positioning the main light source for a photograph behind the primary subject’. In other words, do what you spend your photographic life trying NOT to do. Take shots direct into the sun, or the light source, anyway. It’s easier in a sunny country, so let’s take the ferry to Spain.

I have no idea who this couple are. But they were enjoying a meal, a glass of wine, with the sun shining over the coast we were heading for.

And here we are in Premià, staying with daughter and family.

We won’t outstay our welcome, but nip down to Valencia. To l’Albufera.

After, we’ll come back to the UK. To Pembrokeshire:

The featured photo is from the UK too. No idea where.

And that is all I have to say on the subject.

Benches near Beaches

I have chosen to stay in Premià this morning, perhaps because here it is grey and gloomy, even though warm enough. A beachside path leads all the way from Barcelona, through Badalona, Montgat, El Masnou, Premià and beyond – all the way to Mataró. Between the beach and the path is scattered a series of benches- wherever there’s a tree or two to offer welcome shade. Here are a few.

That’s Barcelona in the distance.

For Jude’s Bench Challenge.

Two Handy Benches Outside the Museum

Passing Premià de Mar’s Museum of Textile Printing the other day, this is what I saw. Two benches: three people. Three readers: two on their phones, one with a good old fashioned book. Only the young woman, I think, was waiting for the museum to open.

Maybe you’d prefer it in colour?

For Jude’s Bench Challenge.

Geometry in a Sunset

I am looking for an excuse to share images of yesterday evening’s sunset, down on the beach at Premià. And I found it in the views of Barcelona, some 20 km away. Its skyline features suitably geometric buildings, so here’s my square for today.

And here are a few more – unsquared – views, so I can share them with Hammad, of Weekend Sky fame.

It’s not often that we’re down on the beach in January, as the sun is setting. We should do it more often.

GeometricJanuary

Geometry in a School

There’s a school here in Premià de Mar that I always enjoy walking past. It’s a handsome Modernista building that’s next to impossible to photograph, set as it is in narrow streets and surrounded by a high wall. It wasn’t always a school.

It was built in 1898 as a textile factory, dealing with almost every process: spinning, weaving and finishing. But here, as in England, and in the Ariège where we once lived, this once-thriving industry declined rapidly during the twentieth century. The factory closed in 1928, but re-opened in a last gasp attempt to make it work, as a silk-sceen printing works, the first of its kind in Spain. The owner was a man from Lyon, a M. Badoy, and locals came to call the factory La Lyon. The factory was forced to close its doors for good in 1979, but everyone saw that this important building must be saved, for historic and artistic reasons. So it reopened as a school in 1984. And it’s now called La Lió, and is quite the local landmark, with its tall – and entirely unused these days – factory chimney.

GeometricJanuary.

Geometry in an Iconic Door

Premiá de Mar, like most towns round here, has its share of Modernist architecture. Today I’m showing you a splendid door from 1918. Originally a cinema, this building known as El Patronat became a parish hall, before returning to its roots and becoming a local arts centre for performances and film screenings. I always enjoy its exuberant doorways when I pass by.

GeometricJanuary.