Top Square

I picked up a copy of  our little-read community newspaper today ….

‘Because of the almost world-wide lockdown caused by Covid-19, Concours Top Squares, due to open in Topcliffe Village Hall between 1st and 30th April, will now be held in camera.

This now internationally acclaimed exhibition has for the last three years brought together arts practitioners from a range of backgrounds working in less conventional materials.  The only requirement is that entries must be entitled ‘Top Square’.

Locally, hopes for a top prize are pinned on a promising new Arts Collective working from Middle Park Farm, near North Stainley, and who call themselves ‘Windewe’. The prevailing wind and local sheep have worked in constructive partnership, winding and weaving wool round the wire fencing surrounding the sheep’s pastureland.  They’ve made dozens of such works, mainly confining themselves to using the sheep’s own wool, though some examples incorporate dried grasses, leaves and small twigs. Apart from those chosen for the exhibition, all other works by Windewe can be viewed from the Ripon Rowel path, and are on permanent display.’

Top Square 8

Sleningford Gazette, 8th April 2020.

For technical reasons beyond the Editor’s control, this article was omitted from the edition of 1st April.

 

# Square Tops 8

Round the Edge of the Village: It’s All About the Texture

Sunday’s walk, on a cold blustery afternoon, along a too-familiar path, could have been a non-event, a means to burn off a few calories and not much more.  Jude’s challenge this week brought me ideas though.  ‘Look for texture’, she said, ‘close in on your subject and capture the texture and not the context’.  Challenge accepted.

Here we are by the village pond.  Here’s Mrs. Mallard.  And here are her feathers.

And – a sure sign that spring has sprung – here’s a dandelion.

Off to the track through the fields now.  I trudge past the sheep, stolidly munching grass and hay, and spot a rusty old shed at the end of the pasture. Lichen on rust.  Perfect.

Well, you can’t wander through the woods without finding a fallen log.  And fallen logs mean knots, nooks and crannies, velvety moss.  I take a couple of shots.

Oh look.  Here’s a muddy bit:  and I haven’t got my decent boots on.  But oh, look again!  Here’s texture a-plenty. A goose-print; a – er – what – squirrel perhaps? print; a different bird print (offers, anyone?); and a dog-print.  And finally a cracked-mud print.  That was good value.

Any walk in our countryside produces any number of long-established oak trees.  So here is some bark – both shots from the same tree.

The last shot of all doesn’t follow the rules.  But here’s a farmer doing his Sunday afternoon ploughing.  Unturned earth, turned earth, and all being thoroughly investigated by a host of sleek white black-headed gulls.  If that isn’t a symphony in textural contrast, I don’t know what is.

And since this is a post for Jo’s Monday Walk too, I’ll just mention that there was tea and Drenched Lemon Cake waiting for me when I got home.

#2020 Photo Challenge 13: Texture.  ‘Get close to your subject and capture just the texture itself, without the context’.

Jo’s Monday Walk.

Longer Daylight, More Sunlight = The First Flowers of Spring….

… spotted on a walk through our village yesterday.

Snowdrops – first spotted on January 1st.
These daffodils by the village pond are always extra-early – even though it’s North Yorkshire.
Aconites bravely push up through the gravel.

January Light

Returning to my roots

My life has come full circle.  Many of my earliest memories come from Sandhutton, current population 260, where my mother was head teacher of a two-teacher school which educated all the village children between five and fifteen years old.  These days I visit the village weekly – it’s less than ten miles away.  The school no longer exists, but my Spanish teacher lives there.

There we are. Sandhutton School, c.1951, just before I started there.

When I was five, my life changed a bit.  We went to live in London (current population 8.13 million).

A trip down the Thames: nearly at Westminster now.

I was a student in Manchester (538,000).  Then I went on to live in Portsmouth, in Wakefield, in Sheffield, in Leeds: all cities numbering their citizens in the tens,or even hundreds of thousands.  I loved city life.  I relished the opportunities only a city could usually offer, and the diverse populations living in them.

One of my favourite places in Manchester: The John Rylands Library. Who wouldn’t feel a real scholar in these surroundings?

When we moved to Harrogate, some twenty years ago, I announced we were moving to a small town.  A mere 75,000 people lived there.

Harrogate: one of its many open spaces: the Valley Gardens.

But that was before we went to France.  Laroque d’Olmes has a population of some 2,000 people, and its county town, Foix, has only 10,000. We came to appreciate small town life: its neighbourliness and our sense of belonging – the space to appreciate the countryside and mountains beyond.

The street near the church in Laroque, with the Pyrenees in the distance.

When we came back to England, that small town of Harrogate suddenly seemed horribly large, traffic-infested and in every way untenable, despite its green spaces and lively community life.  So here we are in North Stainley, population 730.

In fact we’re not even in the village, but in a little enclave just outside, with that walled garden I showed you last week.  Population 8.  It’s perfect.

One of North Stainley’s three village ponds.

 

Lens Artists Photo Challenge #64: Countryside or small towns.

Pretty in Pink

Overlooking the lake at the Himalayan Gardens, Grewelthorpe.

I couldn’t be doing with pink when I was younger.  I thought it was an itsy-bitsy sort of colour, suitable to be worn by annoying little girls of the Violet Elizabeth Bott persuasion (You do know who I’m talking about here, don’t you?  Violet Elizabeth was the lisping, spoiled creature who tormented Richmal Crompton’s delightfully grubby-kneed and accident-prone Just William, as popular now as when he was first created in 1922).

I declined to dress my young daughters in pink, or to wear it myself.  I despised its sugar-sweet prettiness.

These days I’m rather less hardline.  I even have a raspberry pink shirt.

All the same, I think pink is happiest in the garden.  It’s here that flowers can celebrate the colour in all its variety, from the softest most delicate shades of baby pink through to vibrant, vivacious flamingo pink.  Pastel pink.  Shocking pink.  And pinks that use flower names: cherry blossom; rose; fuschia; carnation; cyclamen; dogwood.

Here’s a picture gallery of May time flowers taken over the last few years.  All of them are pink.  And I like every single one.

Many of these pictures were taken in our garden; in our village; at Newby Hall; and at the Himalayan Gardens at Grewelthorpe.  It’s my entry for today’s Ragtag Challenge: pink.

Click on any image to view full size.

 

 

A winter walk: footprints, snowy sheep – and just one robin.

A field near North Stainley.

I think I like this kind of wintry day best of all. We’ve had a carpet of snow on the ground, blanking out grass, pavements and drifts of snowdrops. But today, it’s just a little warmer, and the snow is softly melting into the ground. But still here. We go out for a walk, before the cold descends once more. Winter footprints are visible now, because the impacted snow has dissolved away, leaving a silhouette of – what? Is that a crow print? A pheasant? Oh look, those are rabbits – look at how they land, four square and neatly as they run. And here’s a dog of course.

The landscape assembles itself into broad strata of austere colours: raw umber earth; no-longer pristine snow, almost dappled in places; perhaps some olive-shaded grass, and behind all these, a line of winter trees, their skeletons highlighted against the grey sombre skyline.

We see this robin on a fence post.

But apart from him, sheep are the only living creatures we spot on our walk today. Against the snow, they aren’t white at all, but a slightly dirty cream. They scratch an unsatisfactory meal from the less snowy parts of the fields. They come to look at us. We look at them.

Then we look for snowdrops instead, and for wood. It’s forbidden to go out at this time of year without coming back with an armful of kindling for the log burner.

And how glad we are to get back to our log burner! We enjoyed seeing our familiar landscape clothed in its skimpy veil of whiteness. But we appreciated getting back to warmth, a fireside, and a nice cup of tea even more.

Here’s a contribution to Jo’s Monday Walk (Jo’s own walks tend to be in Portugal these days. That’s where she lives. Feeling chilly Jo, reading this?)

Click on any image to view it full size.

An ‘Aaah!’ moment.

Wildlife has had a tough time getting going this year.  Bluebells late, lilac late, bird migrants late – where are our swifts, diving and swooping in the evening skies, gorging on feasts of flies before night sets in?

At last though, mallard ducklings have appeared on the village pond.  There seem to be three families: tiny ducklings; some a few days bigger; and one lot who could be described as teenagers.  Apart from having little in the way of wings yet, they look pretty grown up. We idled away part of the afternoon the other day, just watching them scuttle and swim.

It’s as well they breed so prolifically, those ducks.  The babies have little chance of making it to adulthood.  The resident goose doesn’t like them.  Jealous drakes don’t like babies who aren’t their own.  Foxes like them alright, but as a snack.  And then there’s the road, though drivers try hard to avoid these creatures, who simply haven’t learnt their Green Cross Code.  My favourite sight from last year was seeing a mighty dustbin lorry shudder to a halt, and wait while Mrs. Mallard led her brood of seven efficiently across the busy road.

At last, spring is here.

Snapshot Saturday: Rearing the next generation

Mother and babies on Good Friday. Yes, I know you can only see seven. There’s always one off exploring ….

It was a couple of days before Good Friday when we first saw them.  Mrs. Mallard swimming on the village pond with her eight tiny ducklings.  We kept a proprietorial interest in them, and were dismayed when over the next few weeks they became seven, then five …. then only two balls of fluff.  These two kept growing until they were, in duckling terms, almost teenagers.  Then they too vanished.

No more ducklings on our pond.  Just a single baby coot.

This was the baby coot on Good Friday. Now he’s almost adult – long legs, huge feet, and camera-shy.

Last week though, walking along to a friend’s house, I spotted them.  Mrs. Mallard had hatched another brood.  Seven this time.  I wonder whether this little lot will make it?  It seems as if there have to be an awful lot of ducklings put upon this earth even to maintain the population at replacement level.  Both male and female mallards will attack and kill ducklings who are not their own.

Two of the latest ducklings, spotted yesterday evening.

It’s eleven weeks since we first saw those baby ducklings.  Mrs. Mallard is still no nearer to successfully rearing the next generation of mallards to replace her.  In some ways, time has stood still.

This isn’t mum. She was in the reeds, chivvying her babies into safety.

WordPress Photo challenge: Delta.  For this week’s photo challenge, share a picture that symbolizes transitions, change, and the passing of time.

Snapshot Saturday: One walk, one footpath, one – no eight – skies

It was the summer solstice this week.  It was also, for three days only in the north of England, summer.

So let me whisk you back eighteen months, to a crisp and clear January day when I took myself off to walk for a couple of hours or so, looking upwards rather than at my surroundings.  Skyscape succeeded skyscape. These changing skies perfectly illustrate this week’s WordPress Photo Challenge: transient.