Footnotes in History: The Battle of Le Linge

On our recent trip, mainly to Alsace, but with sorties to Germany and the Netherlands, we came across several stories from the past which we’d known nothing about, but found engrossing. For the next few Fridays, I’ll share these stories with you.

The Battle of Le Linge

Anglophone readers will all know the dreadful story of the so-called Great War, 1914 – 1918. Particularly the war in Flanders, with its trench warfare in which first the Allies, then the Germans, gained a few yards of ground, then lost it, and gained it again in manoeuvres that resulted in the pointless deaths of thousands upon thousands of men whilst upending the communities in which those battles took place, as well as the families whom they had left behind. It turns out that this story was repeated in very different territory too.

In the Vosges mountains, in territory which has through the centuries passed repeatedly between German and French hands there is a col known as Le Linge. It’s a mere 17 miles (28 km) from Colmar, but it’s a different, often desolate world, reached by travelling up apparently endless and steep hairpin bends which cut through dense forest and a rocky landscape untouched by human hands. On the day we went there, to visit the  Mémorial du Linge, it was rainy: and I was glad. This was no site to enjoy in balmy sunshine.

Early on in the course of the war, both French and German commanders thought they could see advantages in taking control of Alsace, though both had sent the bulk of their troops elsewhere – notably the Marne.

Here’s what the Memorial’s own website has to say:

'Given the situation on the battlefield, the French army had to overcome enormous logistical difficulties . Starting from scratch, it had to build roads, camps, ambulances, aid stations, transport ammunition and supplies on mules, install heavy and light artillery, build battery emplacements, shelters and other necessary installations, and finally transport the combatants, all in full view of the German enemy.

Faced with such preparations, the latter would not remain inactive and would prepare for the coming assault. Taking advantage of the shelter of the forest, excellent logistics (notably a narrow-gauge train from Trois Epis) and the proximity of the Alsace plain, the German troops established solid defenses. Trenches, shelters and connecting trenches were installed on the mountain, fortifications built, pillboxes and machine gun nests arranged, fields of barbed wire unrolled along the steep slopes between trees, rocks, brambles and other chevaux de frise (movable obstacles, often made of a wooden frame with spikes). These defenses added to the complexity of the battle for the French forces and further accentuated their initial disadvantage on the terrain.'

Both soldiers here look almost 19th century, equipped for different battles from the long-drawn out trench warfare to which they were actually subjected.

From July 1915, battle commenced. There were attacks, counter-attacks, hand-to-hand fighting as each side was only feet away from their enemy. I read one account in the museum, which I’ve been unable to find again, telling of a batallion going into battle one night with over 2000 men, and returning in the morning with just 3 officers, and 28 men.

Despite courageous resistance from the French, the German forces always maintained the upper hand. On October 16th, the last German assault took place, after which both sides retreated into an uneasy, exhausted, totally debilitated calm.

Pillaged from a local church, this was found displayed in a trench, doubtless as an impromptu altar.

And yet. Both sides retained a pointless presence there for the whole of the rest of the war, with skirmishes a daily routine. On average, 5 men died every day during the whole of this period: young men, mainly aged 19 or 20. Specialised forces were deployed, such as these troops here: skiers. Whole villages were forced to evacuate, and many remained abandoned after the end of the war.

Yet again, the website sums it up:

'The Battle of Linge, of no strategic importance, was a true human tragedy marked by the courage, determination, self-denial, and sacrifice of French and German soldiers. 
It bears witness to the brutality and difficulty of the fighting of the First World War, where thousands of lives were wasted for often minimal territorial gains.'
A map of the trenches. No wonder I found it hard to get my bearings!

After the museum, it was time to go outside and inspect the trenches, still intact. We were reminded that those we see today would have then been about a metre deeper. As advised, I was wearing my walking boots – Malcolm wisely decided not to join me. I set off confidently on the ‘difficile‘ circuit, and after a degree of inelegant scrambling, retreated to the ‘moyenne‘, and finally to the ‘plus facile‘. The scenery was a treat: the terrain by turns rocky, slippy as gravel skittered away from me, slippery, steep, narrow, impassable. The trenches were cold, narrow, inhospitable, offering the occasional cave cut into the rock to offer shelter from rain, wind and- in winter – snow and ice. Winter temperatures there regularly fell well below freezing. On my walk I often passed a white cross, indicating a French corpse who had been found, or a black cross for a German. Both are now memorialised respectfully. It’s recommended that visitors take up to an hour and three quarters to discover the whole site. I did not. It was raining. I was neither a poilu*, nor a frontschwein**.

This was a thought-provoking day, and one which we shan’t forget, at a time when seeing images of war and its human consequences are still part of our daily routine.

*The French term for a infantryman, and actually meaning 'hairy man'.
** A frequent term for a German infantryman, meaning 'front pig'.

Ripon’s Remembrance Light Show

Projected every evening during Remembrancetide onto the West End of Ripon Cathedral, this twenty-minute light show remembers those, male and female, whose lives were taken from them during WWI.  It’s  dreadful to watch the long, long, long list of names of the fallen, scrolling inexorably upwards.  How could so many young men from this small city have died in those four years of war? We are shown photos from the war years, and the faces of some of those who have died.  John McCrae’s celebrated poem ‘We are the dead‘, illustrated with ranks of graves, and scenes from the ravaged countryside of Flanders completes the spectacle. A tumbling tower of images of blood-red poppies begins and ends this thought-provoking and humbling show.

Click on any image to see it full size.

Fields of mud – seeds of hope

Citizens of Ripon and beyond have been calling into the cathedral as often as they could over the last few weeks.  Not necessarily to view this ancient building, or even to spend quiet moments reflecting.  Perhaps not even to view the poppies which are here, as they are throughout the city centre.

We’ve all been visiting the Fields of Mud  in the Cathedral itself.  Back in early October, that’s all we could see.  A large brown rectangle of damp mud, surrounded by sandbags.  This mud is from Passchendaele, and from a Great War military camp in Ripon. As, over the weeks, the wet earth dried and cracked, five ghostly, battle weary figures slowly emerged on the surface.

This image, exhibited in the Cathedral, is a print projecting the final appearance of the piece.

There are millions of ungerminated poppy seeds lying dormant in that mud.  When the piece is decommissioned later this month, it will be broken up and segments will be made available to the public to create their own memorials.  This work’s legacy can continue indefinitely.

This astonishingly moving and evocative piece is the inspiration of Dan Metcalfe: his farming background has given him an understanding of mud.  It’s disagreeable, destructive and even dangerous, as every WWI tommy well knew. But it also harbours seeds, waiting to flourish and grow when conditions are right .

Now the figures are fully visible, as the mud which surrounds them has dried out.  And so we can see that these are the same figures that have appeared round town, near North Bridge and the Cathedral itself, at Hell Wath and Rotary Way: and in nearby Sharow, where the British Legion home for former service personnel used to be.  These soldiers, and a nurse appear as silhouettes, made from rusted metal, and they are trudging home, their backs to the conflict and facing the future.

Ripon city has recently made us keenly aware of the sacrifices  made in the Great War.  But the poppies, the Fields of Mud are not the whole story.  Tomorrow, on Remembrance Day, I’ll show you Ripon’s Remembrance Light Show.

Fred and Old Bones trudging home near North Bridge, Ripon. The soldier’s pipe is turned upside down to keep his baccy dry during the inevitable rain. This brilliant image was captured at sunset by Andrew Dobbs. (https://www.andrewdobbs.photo/)

Click on any image to see it full size.