Spooky? Perhaps … Eerie?

Hallowe’en turns me into a Grumpy Old Woman. Not the event and its history. I like the fact that here, its roots lie deep in the Celtic festival of Samhain. As harvest ended and winter began, the veil between the living and the dead grew thinner, making it easier for spirits to return.

By the Middle Ages, the church had appropriated the days for its own ends, and made All Saints Eve (‘Hallowe’en’) a day for honouring the dead. And over the years, various merry-making traditions grew up round it: Trick or Treat; dressing up as witches, ghouls and ghosts; carving Jack-o’-Lanterns (from swedes in my day. Can you imagine the hard work involved?); and games such as apple-bobbing. Yes, all that I liked: community-based home-spun entertainment just right for this miserable time of year when clock-change plunges us all into night from about 4 o’clock onwards.

What I don’t like is that, these days, from September onwards, shops are crammed with Hallowe’en souvenirs of every kind – all plastic and ultra-transient, and cheap and tacky costumes, not even slightly bio-degradable, to be worn – for one night only – by marauding hordes of children descending on the neighbourhood demanding sweets without number from about four o’clock onwards. I can still remember the night we gave out more than 200 treats before firmly shutting up shop and closing the front door against all comers (We had an American base nearby – they taught our children well).

So the images I offer for this week’s Monochrome Madness: Spooky, as suggested by Dawn are perhaps eerie rather than spooky, and come from the natural world, or at least a world-gone-by. Apart from my header photo. This is a puppet from the Puppet Museum (Museo del Titere) in Cádiz and spooky enough to terrify anybody. And two bits of street-fun: one from Brick Lane, the other from Newcastle.

Seeing Trees in Black & White

I feel so lucky that the area where I live is rich in trees, because not so very long ago, the local copses were woods, and the woods were forests. Here’s one favourite, an ancient oak: frustratingly, it’s not possible to stand far enough away to get it all in frame. But I love visiting this near neighbour of ours. How many centuries ago did it begin its life?

An ancient oak near North Stainley

There are trees that flourish against the odds. The feature photo shows two trees at Brimham Rocks. Where have they burrowed their roots? Where is the soil that nourishes them? And here are two we meet when walking near Coniston in Yorkshire.

Two trees near Coniston, Grassington

I’m always fond of this tree near Jervaulx Abbey. And I always wonder who the lucky child was who had a second home there.

Here’s another from Jervaulx Abbey itself that always makes me laugh.

The grounds of Jervaulx Abbey, North Yorkshire

This one’s a favourite in our nearby woodland at West Tanfield.

Greensit Batts, West Tanfield

And here’s just another local specimen. Not weird. Just wonderful.

Near Felixkirk, North Yorkshire.

For Sarah of Travel with Me’s challenge for Leanne’s Monochrome Madness.

A History of a Holiday in Fifteen Trees – Seven

We’re going to end our trip to Premià de Mar where we began, in a bar. But this isn’t just any bar. This is Bar del Mig, in the main town square, and the venue of choice for many in the town for a morning coffee, a lunchtime meal or a convivial evening of tapas and a drink.

Bar del Mig? That’s a funny name isn’t it? Well, it refers to the fact that the Cami del Mig runs through all the coastal towns hereabouts, as it has since Roman times, south of the Via Augusta, as a -er- miggle way between that and the sea.

We might be leaving Premià , but there are lots of places, lots of trees to visit yet. We’ll call in at other local towns in the area before heading off back to the ferry from Santander via Aragon, the Basque country, and Cantabria. Gosh, if the thought’s making you thirsty, and we haven’t time to go back to the bar, best have a quick swig from a tree-shaded water fountain before we set off.

TreeSquare

A Distant Tree

There across the field is a solitary tree.  It’s definitely maintaining its Social Distance.  Just as I am on my solitary – but not at all unhappy – walk.

Just like me though, the tree is not really alone.  There are trees to the right of it, trees to the left of it, and – zoom –  a forest of trees behind it.  Perhaps, like me, it’s happy enough with its lot.

And even though it’s distant, I can still get a shot of its topmost branches to send Becky a shot of this Top Tree.

For Lens-Artists Challenge #90: Distance

and Becky’s April Squares: Top

A Line of Trees

I don’t know about you, but I need a break from the world and its vicissitudes.  And I’ve got just the thing.  One of our favourite walks, near Masham, near home.  It offers wetlands with waterbirds, calming pastures of sheep, woodland, a stretch along the riverside – all available in a four mile stroll.

This month, Jude of Travel Words invites us to consider Pattern.  This walk has plenty, starting with the skeins of geese often to be seen designing sinuous flight lines across the sky.

Marfield Wetlands.

I’m going to show you a particular line of trees that I’m fond of, towards the end of the walk.  A repeated pattern, tree after tree after tree.  Sometimes, especially in high summer, these are enough to fill my mental screen.  At other times, I notice the pattern echoed.  A line of sheep, maybe.  A different line – of fencing.  Even – and I never manage to catch this in the same shot – a line of snagged sheep’s wool caught on nearby barbed wire.

Stark winter trees.  Fencing edges the nearby field.

Winter again.  I like the shadowy trees lower down echoing the crisper line above.

Another much longer view of those trees. With sheep below following the same horizontal line. It’s still winter.

That line again. It’s summer now, and other stands of trees draw the eye down to the lower edge of the shot.

Sheep again. They just left their wool behind.

I’ve chosen in many cases to echo the linear nature of the pattern by a spot of judicious cropping.

There.  Did you forget the headlines just for a few moments?