Last on the Card: First Crocuses of Spring

Spotted in the graveyard of the village parish church . At last! The poor crocuses have been firmly shut and shivering against the cold, but on the last day of February, they dared to be a little bolder.

And I can’t resist showing you the shot just before that one. We were busy making Seville Orange Gin last week. Steep the peel and sugar in gin now, and it’ll be ready in time for Christmas, or preferably the one after that. Even better the one afer that …

For Brian’s Last on the Card.

Six Degrees of Separation: From Prophet Song to Hard By a Great Forest

On the first Saturday of every month, a book is chosen as a starting point and linked to six other books to form a chain. Readers and bloggers are invited to join in by creating their own ‘chain’ leading from the selected book.

Kate: Books are my Favourite and Best

Prophet Song, this month’s starter book by Paul Lynch was one of my winning reads of 2024. Here are the final sentences of the review I wrote about this book, set in the near future, in Ireland. ‘This story brought the reality of life in Syria, in Ukraine, in Palestine frighteningly into focus. The final pages should be required reading for the anti-asylum-seeker lobby.’

Which leads me to my first book, which though not about living in a war zone, is about asylum seekers and illegal immigration: Sunjeev Sahota‘s The Year of the Runaway. Three Indian migrant workers in Sheffield, one legally married to a young Indian woman from London for the sole purpose of obtaining a visa. Once obtained, divorce and freedom for them both . This is their story. The young married man is relatively privileged. Another is here on a student visa which forbids him to work. But how otherwise can he send money back to his family? The third is low-caste and lost his entire family in political riots. In England, they are equally vulnerable to  poverty, violence, exploitation as they move from one squalid and back-breaking workplace to another, always inadequately housed and nourished, always looking over their shoulder for their illegal or precarious status to be uncovered. This is an important book, helping to uncover the lives of the would-be migrant who has few choices, whatever the level of privilege enjoyed back home. And a readable one too. No wonder it got shortlisted for The Man Booker Prize.

Now a book about other immigrants to England, in Caryl PhillipsAnother Man in the Street. This is a book about loneliness. It’s about leaving your homeland and facing rejection and even hatred, It’s about Victor, who left Saint Kitts in the Windrush years as a young man, in order to better himself. It’s about Peter, a Jewish refugee from Central Europe. It’s about Ruth, who’s English and firstly Peter’s, then Victor’s lover: but who’s cut herself off from her South Yorkshire home and family in moving to London. And it’s about Lorna, Victor’s abandoned wife.who came with their son Leon to join him from Saint Kitts. It’s told in the first, second and third persons, and the narrative moves back and forth in time and place over a 40 year period between these characters: always lonely and largely friendless, failing to communicate even with those they live with. They are generally speaking meek, and in the shadow of their pasts. An unsettling, if thought-provoking read.

Living abroad can take many forms, as shown in Katie Kitamura‘s Intimacies. This is a novel about dislocation, in many forms. The unnamed narrator has just moved to The Hague from New York to take up a temporary job as interpreter at the international criminal court. Her father has died, her mother has returned to Singapore, and as the child of a diplomat, she has lived everywhere and anywhere. She is rootless, and wonders if she will find a home here. Her boyfriend, Adriaan turns out to be married ‘but not for much longer’. So many ‘ifs’ and uncertainties. Not one thing in her life is certain or permanent. She’s unable to plot a clear path to her future, or even decide if her current career path is for her. This book is compellingly, lucidly, yet sparely written, yet establishes an intimacy between the woman and her reader. I found this a memorable book which deserves a second reading.

What happens though, to an immigrant who returns to the place where she was born and raised? This is the story told in the sequel to Colm Tóibín‘s Brooklyn: Long Island. Eilis came from Ireland to New York to marry Italo-American Tony twenty years ago. With reservations she’s happy with her lot, but some shocking news lands as a bombshell, and she uses it as an excuse to go back to Ireland to celebrate her mother’s 80th birthday. The story continues from Eilis’ point of view, and also from that of her former best friend Nancy who is having a secret affair with Jim, the man Eilis once loved. And it’s also told from Jim’s standpoint too, All three are dealing with complicated and conflicting emotions. The plot moves slowly forward until the last 50 pages or so. Then it hurtles into a maelstrom of action and emotion, unresolved even by the last page of the book. Is a third novel in the offing?

And what happens if instead of living, however precariously, in a country that is not your own, you are instead quite literally, all at sea? That’s the story of Maurice and Maralyn by Sophie Elmhurst. This is an adventure that reads like pacey fiction. It’s actually a true story: a love story, a tale of endurance in unimaginable hardship. The core of this book is the account of the 118 days a couple, Maurice and Maralyn spent adrift in the Pacific on a life raft, bereft of – well – anything really. Certainly they had no way of communicating with the world beyond their tiny and unstable refuge. We learn the backstory of Maurice, isolated, shy, largely estranged from his family: and how he meets the more outgoing Maralyn, their relationship founded on their love of exploring the Great Outdoors. Of how they scrimp and save to build their own ship, planning to sail to New Zealand. They plan carefully, systematically, but an encounter with an injured sperm whale sinks their ship. It’s a tender portrait of an unconventional love affair, as well as a quite astonishing tale of survival against all the odds.

I’ll round off with a book I’ve yet to read: it’s our next choice for our book group. Leo Vardiashvili‘s Hard by a Great Forest. It seems to fit the theme I’ve established here, dealing as it does with Saba’s homecoming from London to Tbilisi, Georgia after more than twenty years away. Here’s what the Guardian says: ‘A compelling story about war, family separation and ambivalent homecoming … propelled by dark mysteries and offset by glorious shafts of humour.‘ I’m looking forward to this.

Perhaps it looks as if there aren’t too many laughs in my choices this month. Yet each one is leavened by lighter moments too. I wonder if next month’s starter will be too? It’s Salman Rushdie‘s memoir, Knife. I’ve reserved a copy from the library already.

The image accompanying Long Island is by Josh Miller, courtesy of Unsplash. The remaining images are my own.

A Bold Building in Barcelona

Anyone and everyone who visits Barcelona has a trip to La Sagrada Familia as a ‘must see’. They come because for almost a hundred years, since he was first involved, Antoni Gaudí’s bold vision of a church has been in the news as a source of controversy. We’ve all heard of it.

For a start it wasn’t commissioned by the diocese, as was usual when a new church was required. Instead, an association founded by a local bookseller wanted it built, and Gaudí wasn’t even their original choice of achitect. Work on the church began in 1882, but Gaudí wasn’t officially involved until 1914. Gaudí himself died in 1926, when the project was barely a quarter complete, and since then, many architects have been involved. Is the building that may be finished next year even reflecting Gaudí’s original vision?

Funds to build it relied and rely on donations from the public. The Spanish Civil War got in the way. In July 1936, anarchists from the FAI set fire to the crypt and broke their way into the workshop, partially destroying Gaudí’s original plans. Later, Covid 19 got in the way. The foundation that manages the finances neither publishes accounts nor pays taxes.

You won’t have to go far in Barcelona to find citizens who are no friends of La Sagrada Familia. They speak of how over-tourism round the church has lowered the local quality of life, and impacted negatively on other tourist sites. They find it ugly, and moving ever further from Gaudí’s original vision. One of the later additions to the plan, to build a stairway which will involve the demolition of local housing has generated a row which I think still isn’t resolved.

One was or another, I think it’s fair to say that La Sagrada Familia, by its sheer size and complexity, is an audacious bit of planning. Its impact on the city skyline is definitely bold.

If you haven’t yet been, and want to do so, plan well beforehand. Book ahead. It’s a bold and undaunted tourist, or a foolish one, who turns up at the gates and expects to get straight in. Once in, you’ll be shepherded around a prescribed route, and not at your own pace.

Whatever you think of the church, I think these builders, scrambling up unfeasibly high walls and towers are pretty bold.

Look how high up some of them have to work.

Here’s a miscellany of shots from the interior of the building.

And the exterior.

The featured photo is my most recent, taken in January from the Mercat dels Encants, some distance away. As you can see, quite a lot of recent additions have been made since the exterior shots shown above were taken .

What to visit instead? Be intrepid! Make your way (and it’s not that easy) to Colonia Güell, outside town, and visit Gaudí’s incomplete (but bold) church there, the one he expected to make his Magnum Opus until the funding stopped, and the Sagrada Familia presented itself as an opportunity. You can read about it here. You mght be able to tell where my sympathies lie.

For Sofia’s Lens-Artists Challenge #337: Bold

Leeds: A Whistlestop Tour

Leeds is a Victorian industrial city that has vigorously embraced the 20th and 21st centuries. We’ll explore a tiny part of the central area, as we did with the London branch of the family at half term.

We’ll start in a modern shopping centre..,

… and wander through the late Victorian covered market, stopping at one of the fish stalls.

The Corn Exchange was built at much the same time as the market, to trade corn. These days it’s the home of independent vendors selling to those looking to while away a pleasant hour or two finding something out of the mainstream.

We’ll wander down some older streets …

… then onto the newly developed banks of the River Aire. Industrial grot has been replaced by both student and up-market flats, and the featured photo shows the view of Leeds old and new. The Royal Armouries Museum was supposed to be our destination, but at half-term it was way too busy, so we didn’t stay long . Here’s a taster, showing that even horses and elephants can get togged up for war, and that swords never seem out of fashion.

Tired now. We’ll wander back along the Aire, spotting a couple of cormorants on the way. That means there must be fish to be had these days. It was a filthy river in the bad old days.

We’ll be back another day. I hardly recognise the city I called home until about twenty five years ago.

For Leanne’s Monochrome Madness

By Request … a Visit to Eavestone Lake

After I showed the photo that won me a popular vote a couple of years ago, some of you were kind enough to ask to see the one that came second. I’m pretty sure I may have shown it before, but here we are. It’s of a lake not too far from here: a wooded location that’s quite well known and appreciated hereabouts, despite not being tremendously accessible. Here’s Eavestone Lake in summer …

…. and in autumn, when the successful shot was taken…

It’s set among rocks, to which trees sometimes cling tenaciously, and it’s hard to navigate your way through. Eavestone Lake may once have been a mediaeval fishpond for nearby Fountains Abbey. There’s even evidence that later, it may have formed part of a designed landscape: the lake has been dammed, and there are signs of careful planting if you know where to look (I don’t).

We once met an Oldest Inhabitant there, and he told us that the whole area had been almost entirely hacked back to the bone in the 1930s, for logging purposes. Abandoned, the trees took matters into their own hands to regenerate. They’ve done a pretty good job, I’d say. And they are part of a special area. Nidderdale Area of Outstanding Natural Beauty.

Boy, Benches, Pelicans

When I was a schoolgirl living in London, I often walked through Saint James’ Park. I liked the waterbirds on the lake, and sometimes fed them. In the far corner of the lake was a small island. And on this island were pelicans.. Such an exotic sight! But they made sure we saw little of them, and kept themselves strictly to themselves.

More than half a century on, something has happened. The descendants of ‘my’ pelicans have become bold, and saunter round the park , making their presence felt. As you see. Before long, they’ll be sitting on those benches.

For Jude’s Bench Challenge.

Just One Image

Early Morning in Sleningford

This isn’t – I hope – the best image that I’ll ever produce. Nor is it even one that tugs most at my heartstrings. It’s a bit of pure serendipity. Early one winter’s morning I was nipping out to get the paper, just as the sun was rising. Unusually, I had my phone with me. My bargain-basement-bottom-of-the-range smartphone. Well, here was a scene that demanded to be recorded. So I did. And I like it. It reminds me how lucky we are to live in this quiet spot, where scenes like this are part of our everyday.

A few weeks later, I joined our local photo club. And a few weeks after that, we were all invited to submit two photos to an annual event: the photographic exhibition held as part of Masham’s Sheep Fair. No subject specified – just two photos. The public are invited to cast three votes – first, second and third – for their favourites. And the winner gets the honour and glory: though not a lot else. Reader – I won. Even though we have some pretty good photographers who can be relied upon to deliver wonderful images of the natural world; landscapes; action shots; street images … you name it. But the Great Masham Public decided on this occasion that Early Morning in Sleningford was what they liked. Even more embarrassingly, I took second prize too.

For Ann-Christine’s Lens-Artists Challenge#336 Only One Picture

Hands Put to Work at the Viking Festival

We were in York with the grandchildren on Monday. Its annual Viking Festival has begun.

Norsemen from Scandinavia went looking for places to settle, often in England and Ireland from about CE 800 to CE 1000. Like the Romans before them, many settled in the fertile lands round York. We came to find out more. We looked at demonstrations of working with wool. We attended a Brassica Massacre, where no hapless human was harmed as a doughty ‘Viking’ explained the ways to win in hand-to-hand fighting, by killing a cabbage impaled on a spike. And we chatted to a ‘Viking’ potter, as he worked away in freezing conditions to throw a simple pot.

Later, we were chuffed to bits to discover that the same master who had enslaved a willing William for twenty minutes or so last year was back again. This time Zoë couldn’t wait to have a go, and The Boss thought that if she came from the same stock as her brother, he couldn’t turn her down. After she’d swept the floor (inadequately), he set her onto a spot of woodturning – with his help. Many hands make light work.

Then he set about making Zoë a wooden medallion to thank her – and enlisted her help again. He was a good-humoured and generous master.

We had an excellent time. But we were pleased to retreat afterwards in our cosy modern clothing to a cosy house, and the comforts of 21st century living.

The header photograph shows hand-to-hand fighting in York – last year.

For Leanne’s Monochrome Madness #28 Hands which is this week hosted by Stupidity Hole.