Spring in Glorious Technicolor – or Muted Monochrome

Even though over the last few days the weather has reverted to winter chill with a vengeance, I think it’s definitely the week that Spring has Sprung. The daffodils have suddenly burst forth into golden glory. The grass is lusher. Dandelion and daisies crowd the verges. Spring announces itself in an explosion of colour, in contast to the muted browns and greys of winter with its dull skies and overabundance of mud.

So is there even any point in ‘doing’ spring in monochrome? I thought I’d find out, and chose four images where it’s not just spring flowers telling the story, because they’re complementing the buildings they grow near.

Perhaps these aren’t part of the story, because snowdrops show their faces from early January. But they’re white, so may not suffer so much in monochrome.
Primulas on a traffic island near York Minster.
Tulips overlooking Knaresborough Viaduct.

Part of my own difficulty is that I don’t enjoy tinkering with photos. What comes out of the camera either works, or it doesn’t, and then I’ll junk it. At most I’ll level the picture up, maybe lightly crop it, even – slightly – fiddle with brightness. So my translations into monochrome are crude at best. If I want monochrome – and I’m increasingly choosing it over colour – I’ll shoot in black and white. And perhaps follow up with a further version in colour. I admire those photographers who use editing tools with discretion, so what we see is the original shot – just enhanced in subtle ways. I’m less keen on dramatic editing. But in a diary that is already over-full, I guess I don’t feel like giving this particular skill the time it needs to learn to do it well.

I’ll finish with Fountains Abbey as it is now, its grounds carpeted in daffodils. Black and white as my featured photo, and – my much preferred version here – in the above-mentioned Glorious Technicolor.

For Leanne’s Monochrome Madness

My Sheepish Fan Club

Next door to us is a field with six sheep. They’re not part of a farm. They’re siblings, and each one belongs to somebody different in the village – don’t ask, haven’t a clue. They’ve taken to galloping up to me every time I pass, hoping for a snack. A couple of times a week they get lucky. A cabbage leaf or two. Some chunks of celeriac or carrot. Broad bean pods (yum!). They never fail to live in hope, sometimes as often as four times day. I call them my Fan Club.

Yesterday, out for a local walk, I passed another nearby field, with perhaps a hundred sheep. A few of them noticed me, and just like their sheepy cousins next door to us, they set up a baa-ing announcement. ‘Possible food alert! Come on guys!’ And every one of them turned towards me and galloped to see what I had. Which was nothing.

The baas turned to complaints, but still they followed me. Noisily.

On I walked. Oh look! Lambs! The first I’ve seen this year.

And my walk took me slap through the centre of their field. Lambs and mothers normally skitter away. But no. They followed me. They chased me.

I tried to video this thrilling event, but dropped my phone. So that tiny clip is all you’re getting.

I went on. I was quite relieved that the next field was filled with a young crop of winter wheat, silently doing its thing and taking no notice of me. And that’s how it went on. Another field of sheep. They ignored me. A riverside walk along the Ure which took no notice either, but prattled and chattered its way along to the next village. A quiet woodland path where snowdrops are slowly being succeeded by wild garlic and bluebell shoots pushing their way through the soil, preparing for a fine show next month. Then home, choosing the path that wouldn’t take me past our demanding sheepy neighbours.

For Jo’s Monday Walk.

PS. WordPress’s oh-so-helpful AI has suggested tags for this post. It recommends …. ‘Jesus’.

A Dog, a Cat, a Bench, a Standoff

Poppy meant no harm. She was a placid and amiable dog. MiMi trusts nobody, least of all A Dog. Poppy (who sadly is no more) stood at a respectful distance, wondering what to do. MiMi took to the garden bench, arched her back, fluffed up her fur, and hissed. This scene went on for about twenty minutes, till Poppy got bored, and sloped off .

For Jude’s Bench Challenge.

Euskal Herria meets the Yorkshire Dales – Revisited

I was sorry, when we left France, that we hadn’t made more than a couple of visits to its Basque Country. It’s such a different part of France, for all kinds of reasons, some of which may become apparent in this post I wrote – gosh – fourteen years ago.

Euskal Herria meets the Yorkshire Dales

March 10th 2011

This week was a first for us, when we made a quick visit to the Basque country (Euskal Herria), way over to the west .  When we got there, there were no frontier posts, but we knew immediately that we’d arrived.  Suddenly, houses, instead of being colour-washed in creams and beiges and ochres, or not at all, were  all tidily painted white, every single one, with ox-blood coloured shutters and paintwork.  Place names were in French and Basque, and quite a lot of other signage too.

Not a Yorkshire view. A vulture wheeling overhead.

But the thing is, despite all that, we thought we’d arrived in Yorkshire, or Lancashire, or somewhere in England at any rate.  Softly rambling ranges of hills, so very green, and studded with sheep.  Roads which preferred to ramble gently round the contours instead of going straight in the French style.  Take away the Pyrénées in the background, their jagged peaks still white with fresh snow, add in a few drystone walls, and – voilà! – the Yorkshire Dales.

Traffic jam, Basque style

After all the hard work back at the house, we needed the peace of the countryside, so we’d chosen to stay at an Accueil Paysan farm. We knew that  meant that we’d be welcomed into simple comfortable accommodation at the farmer’s house, and share a family meal with them in the evening.  Always good value in all sorts of ways.

The road to the farm where we stayed …

The welcoming committee in this case turned out to be six cheerily noisy pigs, a gang of chickens, and a sheep dog.  The humans were no less friendly, and we settled in by exploring the small farm with its 30 or so cattle, and about 300 sheep.  Sheep’s cheese is the big thing round here, and throughout the autumn and spring, when there’s plenty of milk, this family makes cheese every morning (far too early for us to be there, it turned out: all over by 7 o’clock) in their fine new cheese-production shed.

Pigs doing what pigs do best

Our hosts are Basque speakers.  Their children only learnt French when they went to school.  Now that one of these children has a son of his own, he and his wife (who’s not a Basque speaker) have chosen to have the boy educated at one of the many Basque-medium schools, so that he will be among the 30% of Basques who are comfortable using their language.  It’s an impenetrable and complex one.  Its roots are a bit of a mystery, and certainly it’s not Indo-European.  With French, Italian and Latin at our disposal, we can make a good stab at understanding Occitan, the language of our region, but Basque remains impenetrable to anyone who hasn’t been immersed in it.

The next day, we explored St. Jean Pied de Port. From before the time of the Romans, it’s been a market town, an important jumping off point for Spain.  It’s been a garrison too, and an important stop-over for pilgrims on their way to Compostella.  Now it’s a tourist centre too, for walkers in the region.  It’s an attractive town, surrounded by ramparts.  We pottered around, enjoying views from the ramparts, pilgrim-spotting, ancient doorways, and watching the river, before setting off for a leisurely journey home.

And next time we stay, we’ll make it much longer than 36 hours.

A final view, on the way home

The featured photo is a view of St. Jean Pied de Port.

Chairs in the Service of Art

Chairs. That’s what Brian of Bushboy’s World fame, and host this week of Leanne’s Monochrome Madness wants us to get our cameras out for. And I’ve decided to show Chairs in the Service of Art

My first clutch of photos all come from Spain. A day out in Logroño, la Rioja, yielded some street sculpture featuring chairs and those who sit in them, whether alive or sculpted.

More recently, in Barcelona, I visited of of its newer museums, Museu de l’Art Prohibit – the Musem of Censored Art. It covers political, religious and sexual themes, and is not for the faint-hearted, but I found it fascinating and enlightening.

The first image here was exhibited at the Pamplona Festival in 1972 – a brave thing to do, as Spain was still in the grip of Franco’s dictatorship. This depicts one of Franco’s secret policemen.

The second is by the South Korean artists Kim Eun-Sung & Kim Seo-Kyung, and shows a Girl of Peace. It was exhibited as part of the Aichi Triennale 2019 in Japan, and received threats of attack for being anti-Japanese propaganda. The exhibition was closed but reactions against its censorship forced it to be reopened. This artwork has caused various diplomatic incidents between Japan and South Korea. For its creators, it is an icon of peace. There’s another view of it as my featured photo.

My final Spanish shot is of a chair (and the kitchen stove?) painted on a garage door in a back street in Seville.

Back in the UK, to visit Harewood House near Leeds, and show an image of a chair constructed by the Galvin Brothers specifically for the house’s Yellow Drawing Room – a place to sit, talk, reflect, share, remember. Created at the time of the death of Elizabeth II, this chair was intended as a sober reflection on her reign. Its design, featuring maturing crops as part of the backrest, references the transient and intangible.

Lastly, I’ll take you to Edinburgh, to the National Museum of Scotland. This is where we saw this chair. An astonishing chair. It began its life as a simple willow tree, but was obliged to convolute itself as it grew into the form of a chair by Gavin Munro. Do have a look at his website.

Well, this hasty tour has turned up quite a few different chairs. It’s perhaps the simplest ones that convey the most potent messages.

Last on the Card: First Crocuses of Spring

Spotted in the graveyard of the village parish church . At last! The poor crocuses have been firmly shut and shivering against the cold, but on the last day of February, they dared to be a little bolder.

And I can’t resist showing you the shot just before that one. We were busy making Seville Orange Gin last week. Steep the peel and sugar in gin now, and it’ll be ready in time for Christmas, or preferably the one after that. Even better the one afer that …

For Brian’s Last on the Card.

Six Degrees of Separation: From Prophet Song to Hard By a Great Forest

On the first Saturday of every month, a book is chosen as a starting point and linked to six other books to form a chain. Readers and bloggers are invited to join in by creating their own ‘chain’ leading from the selected book.

Kate: Books are my Favourite and Best

Prophet Song, this month’s starter book by Paul Lynch was one of my winning reads of 2024. Here are the final sentences of the review I wrote about this book, set in the near future, in Ireland. ‘This story brought the reality of life in Syria, in Ukraine, in Palestine frighteningly into focus. The final pages should be required reading for the anti-asylum-seeker lobby.’

Which leads me to my first book, which though not about living in a war zone, is about asylum seekers and illegal immigration: Sunjeev Sahota‘s The Year of the Runaway. Three Indian migrant workers in Sheffield, one legally married to a young Indian woman from London for the sole purpose of obtaining a visa. Once obtained, divorce and freedom for them both . This is their story. The young married man is relatively privileged. Another is here on a student visa which forbids him to work. But how otherwise can he send money back to his family? The third is low-caste and lost his entire family in political riots. In England, they are equally vulnerable to  poverty, violence, exploitation as they move from one squalid and back-breaking workplace to another, always inadequately housed and nourished, always looking over their shoulder for their illegal or precarious status to be uncovered. This is an important book, helping to uncover the lives of the would-be migrant who has few choices, whatever the level of privilege enjoyed back home. And a readable one too. No wonder it got shortlisted for The Man Booker Prize.

Now a book about other immigrants to England, in Caryl PhillipsAnother Man in the Street. This is a book about loneliness. It’s about leaving your homeland and facing rejection and even hatred, It’s about Victor, who left Saint Kitts in the Windrush years as a young man, in order to better himself. It’s about Peter, a Jewish refugee from Central Europe. It’s about Ruth, who’s English and firstly Peter’s, then Victor’s lover: but who’s cut herself off from her South Yorkshire home and family in moving to London. And it’s about Lorna, Victor’s abandoned wife.who came with their son Leon to join him from Saint Kitts. It’s told in the first, second and third persons, and the narrative moves back and forth in time and place over a 40 year period between these characters: always lonely and largely friendless, failing to communicate even with those they live with. They are generally speaking meek, and in the shadow of their pasts. An unsettling, if thought-provoking read.

Living abroad can take many forms, as shown in Katie Kitamura‘s Intimacies. This is a novel about dislocation, in many forms. The unnamed narrator has just moved to The Hague from New York to take up a temporary job as interpreter at the international criminal court. Her father has died, her mother has returned to Singapore, and as the child of a diplomat, she has lived everywhere and anywhere. She is rootless, and wonders if she will find a home here. Her boyfriend, Adriaan turns out to be married ‘but not for much longer’. So many ‘ifs’ and uncertainties. Not one thing in her life is certain or permanent. She’s unable to plot a clear path to her future, or even decide if her current career path is for her. This book is compellingly, lucidly, yet sparely written, yet establishes an intimacy between the woman and her reader. I found this a memorable book which deserves a second reading.

What happens though, to an immigrant who returns to the place where she was born and raised? This is the story told in the sequel to Colm Tóibín‘s Brooklyn: Long Island. Eilis came from Ireland to New York to marry Italo-American Tony twenty years ago. With reservations she’s happy with her lot, but some shocking news lands as a bombshell, and she uses it as an excuse to go back to Ireland to celebrate her mother’s 80th birthday. The story continues from Eilis’ point of view, and also from that of her former best friend Nancy who is having a secret affair with Jim, the man Eilis once loved. And it’s also told from Jim’s standpoint too, All three are dealing with complicated and conflicting emotions. The plot moves slowly forward until the last 50 pages or so. Then it hurtles into a maelstrom of action and emotion, unresolved even by the last page of the book. Is a third novel in the offing?

And what happens if instead of living, however precariously, in a country that is not your own, you are instead quite literally, all at sea? That’s the story of Maurice and Maralyn by Sophie Elmhurst. This is an adventure that reads like pacey fiction. It’s actually a true story: a love story, a tale of endurance in unimaginable hardship. The core of this book is the account of the 118 days a couple, Maurice and Maralyn spent adrift in the Pacific on a life raft, bereft of – well – anything really. Certainly they had no way of communicating with the world beyond their tiny and unstable refuge. We learn the backstory of Maurice, isolated, shy, largely estranged from his family: and how he meets the more outgoing Maralyn, their relationship founded on their love of exploring the Great Outdoors. Of how they scrimp and save to build their own ship, planning to sail to New Zealand. They plan carefully, systematically, but an encounter with an injured sperm whale sinks their ship. It’s a tender portrait of an unconventional love affair, as well as a quite astonishing tale of survival against all the odds.

I’ll round off with a book I’ve yet to read: it’s our next choice for our book group. Leo Vardiashvili‘s Hard by a Great Forest. It seems to fit the theme I’ve established here, dealing as it does with Saba’s homecoming from London to Tbilisi, Georgia after more than twenty years away. Here’s what the Guardian says: ‘A compelling story about war, family separation and ambivalent homecoming … propelled by dark mysteries and offset by glorious shafts of humour.‘ I’m looking forward to this.

Perhaps it looks as if there aren’t too many laughs in my choices this month. Yet each one is leavened by lighter moments too. I wonder if next month’s starter will be too? It’s Salman Rushdie‘s memoir, Knife. I’ve reserved a copy from the library already.

The image accompanying Long Island is by Josh Miller, courtesy of Unsplash. The remaining images are my own.

A Bold Building in Barcelona

Anyone and everyone who visits Barcelona has a trip to La Sagrada Familia as a ‘must see’. They come because for almost a hundred years, since he was first involved, Antoni Gaudí’s bold vision of a church has been in the news as a source of controversy. We’ve all heard of it.

For a start it wasn’t commissioned by the diocese, as was usual when a new church was required. Instead, an association founded by a local bookseller wanted it built, and Gaudí wasn’t even their original choice of achitect. Work on the church began in 1882, but Gaudí wasn’t officially involved until 1914. Gaudí himself died in 1926, when the project was barely a quarter complete, and since then, many architects have been involved. Is the building that may be finished next year even reflecting Gaudí’s original vision?

Funds to build it relied and rely on donations from the public. The Spanish Civil War got in the way. In July 1936, anarchists from the FAI set fire to the crypt and broke their way into the workshop, partially destroying Gaudí’s original plans. Later, Covid 19 got in the way. The foundation that manages the finances neither publishes accounts nor pays taxes.

You won’t have to go far in Barcelona to find citizens who are no friends of La Sagrada Familia. They speak of how over-tourism round the church has lowered the local quality of life, and impacted negatively on other tourist sites. They find it ugly, and moving ever further from Gaudí’s original vision. One of the later additions to the plan, to build a stairway which will involve the demolition of local housing has generated a row which I think still isn’t resolved.

One was or another, I think it’s fair to say that La Sagrada Familia, by its sheer size and complexity, is an audacious bit of planning. Its impact on the city skyline is definitely bold.

If you haven’t yet been, and want to do so, plan well beforehand. Book ahead. It’s a bold and undaunted tourist, or a foolish one, who turns up at the gates and expects to get straight in. Once in, you’ll be shepherded around a prescribed route, and not at your own pace.

Whatever you think of the church, I think these builders, scrambling up unfeasibly high walls and towers are pretty bold.

Look how high up some of them have to work.

Here’s a miscellany of shots from the interior of the building.

And the exterior.

The featured photo is my most recent, taken in January from the Mercat dels Encants, some distance away. As you can see, quite a lot of recent additions have been made since the exterior shots shown above were taken .

What to visit instead? Be intrepid! Make your way (and it’s not that easy) to Colonia Güell, outside town, and visit Gaudí’s incomplete (but bold) church there, the one he expected to make his Magnum Opus until the funding stopped, and the Sagrada Familia presented itself as an opportunity. You can read about it here. You mght be able to tell where my sympathies lie.

For Sofia’s Lens-Artists Challenge #337: Bold

Leeds: A Whistlestop Tour

Leeds is a Victorian industrial city that has vigorously embraced the 20th and 21st centuries. We’ll explore a tiny part of the central area, as we did with the London branch of the family at half term.

We’ll start in a modern shopping centre..,

… and wander through the late Victorian covered market, stopping at one of the fish stalls.

The Corn Exchange was built at much the same time as the market, to trade corn. These days it’s the home of independent vendors selling to those looking to while away a pleasant hour or two finding something out of the mainstream.

We’ll wander down some older streets …

… then onto the newly developed banks of the River Aire. Industrial grot has been replaced by both student and up-market flats, and the featured photo shows the view of Leeds old and new. The Royal Armouries Museum was supposed to be our destination, but at half-term it was way too busy, so we didn’t stay long . Here’s a taster, showing that even horses and elephants can get togged up for war, and that swords never seem out of fashion.

Tired now. We’ll wander back along the Aire, spotting a couple of cormorants on the way. That means there must be fish to be had these days. It was a filthy river in the bad old days.

We’ll be back another day. I hardly recognise the city I called home until about twenty five years ago.

For Leanne’s Monochrome Madness