Even though over the last few days the weather has reverted to winter chill with a vengeance, I think it’s definitely the week that Spring has Sprung. The daffodils have suddenly burst forth into golden glory. The grass is lusher. Dandelion and daisies crowd the verges. Spring announces itself in an explosion of colour, in contast to the muted browns and greys of winter with its dull skies and overabundance of mud.
So is there even any point in ‘doing’ spring in monochrome? I thought I’d find out, and chose four images where it’s not just spring flowers telling the story, because they’re complementing the buildings they grow near.






Part of my own difficulty is that I don’t enjoy tinkering with photos. What comes out of the camera either works, or it doesn’t, and then I’ll junk it. At most I’ll level the picture up, maybe lightly crop it, even – slightly – fiddle with brightness. So my translations into monochrome are crude at best. If I want monochrome – and I’m increasingly choosing it over colour – I’ll shoot in black and white. And perhaps follow up with a further version in colour. I admire those photographers who use editing tools with discretion, so what we see is the original shot – just enhanced in subtle ways. I’m less keen on dramatic editing. But in a diary that is already over-full, I guess I don’t feel like giving this particular skill the time it needs to learn to do it well.
I’ll finish with Fountains Abbey as it is now, its grounds carpeted in daffodils. Black and white as my featured photo, and – my much preferred version here – in the above-mentioned Glorious Technicolor.

For Leanne’s Monochrome Madness



















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