Six Degrees of Separation: From Wild Dark Shore to Island Dreams

On the first Saturday of every month, a book is chosen as a starting point and linked to six other books to form a chain. Readers and bloggers are invited to join in by creating their own ‘chain’ leading from the selected book.

Kate:  Books are my Favourite and Best

This month’s chain starts with Wild Dark Shore by Charlotte McConaghy.  I’m fourth in a queue of readers at the library waiting to borrow this book.  Here’s the first sentence of the book’s resume. ‘Dominic Salt and his three children are caretakers of Shearwater, a tiny weather-lashed island that is home to the world’s largest seed bank.’ 


So I’m going with the sea for all the books in my chain this month.  I’m going to try to dodge books I’ve showcased before, and that I know many of you have also recommended.  So no Clear by Carys Davies, no Seascraper by Benjamin WoodOr James Rebanks The Place of Tides, which Kate has just reviewed.

In fact, let’s not start with a novel at all.  Let’s celebrate the fish that so often feed us – specifically here, the fish round the British coast, in Silver Shoals by Charles Rangeley- Wilson. I was entirely and unexpectedly engaged by this book, an exploration of our nation’s iconic fish: cod, carp, eels, salmon and herring. This is a story of the fish themselves; of fishermen; of the consequences of greed and the way back from it; of geology; meteorology; our nation’s social history as it relates to food and farming; of corruption and political will. It combines serious discussion of issues with good yarns about the fishermen who took Rangeley -Wilson fishing with them, whether on week-long voyages on trawlers, or half day sorties to the local river bank. He travelled north south east and west in quest of fish and their stories, and produced an absorbing account which I read in record time because I was so enthralled by all the threads of the story Charles Rangeley-Wilson told. 

Those Silver Shoals don’t include tuna.  Kings of Their Own Ocean: Tuna, Obsession, and the Future of Our Seas by Karen Pinchin talks of little else. This is quite a story. It details the history of man’s love of eating tuna, from way before Roman times, to the present day, when the Japanese have cornered much of the market, while teaching the world to enjoy their own particular obsession with the freshest, choicest tuna flesh. The book details a history of overfishing, of trying to understand the tuna’s migration patterns, of political interests and manoeuvres and focusses on particular individuals who have been prominent in the story, such as tuna-tagging supremo Al Anderson. An engaging book, reeling in this non-scientist who has no prior knowledge of the industry: and who doesn’t even eat tuna (even less likely to now). 

So now to a novel about fishing.  About whaling to be exact. The North Water by Ian McGuire.  This is a gritty story set largely in a 19th century whaling ship. There’s violence, brutality, bad language, bowel movements a-plenty, but it doesn’t feel gratuitous. Patrick Sumner has – we eventually discover – left the British Army in disgrace and his options are few. He becomes a ship’s surgeon on the whaling ship, and finds that a hard and desperate life becomes even worse as the ship and its crew battle against an arctic winter and a particularly brutal and amoral member of the crew. An involving and gripping story that recreates a world I can only be grateful not to be a part of. I saw a good and faithful  TV adaptation of this book some years ago.  Recommended.

Audrey Magee’s The Colony might have been a good choice to begin my chain. We’re in Ireland in 1979, on a small, sparsely populated and isolated island, whose inhabitants have only recently started to learn and use English. Two visitors come to spend their summers there. Mr. Lloyd is a painter who wants to explore the landscape. He’s rude and entitled, but interesting to young islander James who has ambitions to go to art school. Masson, known as JP, is a French academic, keen to preserve and promote the Irish language, whether the inhabitants want it or not. Each chapter is interspersed with a terse newspaper-like account of a sectarian murder on the mainland, whether of a Catholic or a Protestant. At first these almost seem an irrelevance. Gradually, the penny drops that these incidents are deeply rooted in the history of the English towards their Irish ‘colony’, and do much to explain the largely hostile feelings both of the islanders and its two visitors. The book paints a picture of an island in many ways left behind, whose characters still struggle to find their place in the world, as indeed do the two visitors. A book to provoke thought long after the last page has been turned. 

Let’s turn to another Irish island in John Boyne’s Water, part of his Elements quartet. We meet a woman in middle years who has just fled to live on a fairly remote Irish island, changed her name and as far as possible her appearance.  Why?  Only slowly do we find out.  Her husband’s crimes reflect on her: the world assumed she had enabled them – and, she believes, one even greater tragedy. She has done her best to vanish. She meets a few characters who are also uncomfortable with their lives, making relationships with some.  Slowly she regains the strength of character necessary to reject her husband and to renew her relationship with her daughter.  This book deftly charts her slow, but steady steps to recovery.

I’ll finish where I began, with non-fiction.  And with the subject of the starter book and two of my other choices:  islands, in Island Dreams, by Gavin Francis.This is a beautifully produced book. On heavy paper, with blue and black ink, the text is allowed generous space to breathe. As well, the text is interspersed – also generously – with maps old and new illustrating the outlines of islands he visits and discusses. These are the only illustrations. Often the subject of the map will be – for instance – the usual trade routes using the islands illustrated. So this is a book to savour and linger over, returning several times to the maps on display. Gavin Francis has often been able to combine his passion for island-hopping with his career, working in those places he has most wanted to visit. He appreciates the way that islands can offer both isolation, and yet a sense of community with those who call it home. This is a book that’s both very personal, yet also universal. It encompasses myth, psychology, philosophy, literature and straightforward travel writing. Quickly read, it demands to be looked at again and again. It will stay in my mind for a long time.

So there we have it. My sea-related chain. Our next book is Stefan Zweig‘s The Post-Office Girl. Will my next chain be post office related? Now that would be a challenge.






Six Degrees of Separation: From The Snow Child to a Mistletoe Murder

On the first Saturday of every month, a book is chosen as a starting point and linked to six other books to form a chain. Readers and bloggers are invited to join in by creating their own ‘chain’ leading from the selected book.

Kate W: Six Degrees of Separation

This month’s reading began with Eowyn Ivey‘s The Snow Child. I suspected magical realism and expected to cast the whole thing aside. But this reworking of the traditional Russian fable utterly disarmed me. Set in barely-settled 1920s Alaska, the frozen landscape and the fresh and flower-strewn spring, the tough-because-they-have-to-be characters, the hardships and friendships make this a believable, yet lyrical story which transported me willingly to a different world.

I remembered a book which gave me a similar reaction: Cecilia Ekbäck‘s Wolf Winter. As an evocation of life in an isolated 18th century community of far-flung homesteads in northern Sweden it’s quite wonderful. The sheer drudgery of keeping alive in the long dark days of winter; the isolation; the fear of beasts and evil spirits: in fact the pervasiveness and absolute acceptance of a spirit world was involvingly brought to life. But it’s also a murder mystery, and this pulled me in far less. Nevertheless.five years on, those evocative descriptions of tough lives in a tough place stay in my mind.

Yet more tough lives in unforgiving conditions. The North Water, by Ian McGuire. This is a gritty story set largely in a 19th century whaling ship. There’s violence, brutality, bad language, bowel movements a-plenty, but it doesn’t feel gratuitous. Patrick Sumner has – we eventually discover – left the British Army in disgrace and his options are few. He becomes a ship’s surgeon on the whaling ship, and finds that a hard and desperate life becomes even worse as the ship and its crew battle against an arctic winter and a particularly brutal and amoral member of the crew. An involving and gripping story that recreates a world I can only be grateful not to be a part of. And – British readers – I’ve just discovered that the book has been made into a five part series available on BBC i-player.

Let’s stay at sea, and with fishing, but let’s lighten the mood – please – by turning to Silver Shoals, by Charles Rangeley-Wilson. I was entirely and unexpectedly engaged by this book, an exploration of our nation’s iconic fish: cod, carp, eels, salmon and herring. This is a story of the fish themselves; of fishermen; of the consequences of greed and the way back from it; of geology; meteorology; our nation’s social history as it relates to food and farming; of corruption and political will. It combines serious discussion of issues with good yarns about the fishermen who took Rangeley -Wilson fishing with them, whether on week-long voyages on trawlers, or half day sorties to the local river bank. He travelled north, south, east and west in quest of fish and their stories, and produced and absorbing account which I read in record time because I was so enthralled by all the threads of the story Charles Rangeley-Wilson told.

My next book is set not at sea, but in the mountains. However, there is the same attachment to place here that fisherman seem to have to their chosen piece of water.. A Whole Life, by Robert Seethaler. This is a spare and restrained telling of the story of a life. The life of a lonely, but not discontented man living in a small community in a mountain valley, after a chequered and varied early life. This is a man who values solitude, and the landscape in which he lives. His needs are simple, but even these are not always easy to meet. A poetic, satisfying book. It’s a work in translation, but this is an accomplished piece of work which reads beautifully, and deserves re-reading.

Marcus Sedgwick lives in the Haute-Savoie, not really so very far from Seethaller’s hero. One of his books is Snow. This is a beautifully presented and thoughtful little monograph. Always fascinated by snow, Marcus Sedgwick’s chosen home is one where snow in winter is a daily reality. He’s come to appreciate that there is far more than one kind of the stuff, and that some of it is ‘the wrong kind’, getting in the way of the everyday lives of those who are very accustomed to snow of all kinds. He wanders discursively through science, literature, art, and personal anecdote to build up a vivid picture of this fascinating substance which exercises such a grip on our imaginations and our daily lives when we encounter it. A book to read, to savour, and to continue to dip into from time to time.

Now, let’s lighten the mood. It’s nearly Christmas shopping time. Let’s choose another short book, with winter at its heart. The Mistletoe Murder and other Stories, by PD James. The Guardian describes this book as ‘a box of crackers’, and so it is. These are four short stories of murder most foul that were all originally published elsewhere, all set round about Christmas time. They’re clever, and not at all likely to be mistaken for Scandi-noir. These quickly read little gems, nicely presented by Faber and Faber, would make an ideal stocking filler.

So there we have it. From one murder mystery to four murder mysteries, with four stops in between.

It seems to me that next month’s starting book could hardly be more different. It’s Beach Read, by Emily Henry.