Salvador Dali and a star-shaped fortress

These three figures look down on you as you wait to visit the Dali Museum.  And the loaves of bread?
These three figures look down on you as you wait to visit the Dali Museum. And the loaves of bread?

“Where, if not in my own town, should the most extravagant and solid of my work endure, where if not here? The Municipal Theatre, or what remained of it, struck me as very appropriate, and for three reasons: first, because I am an eminently theatrical painter; second, because the theatre stands right opposite the church where I was baptised; and third, because it was precisely in the hall of the vestibule of the theatre where I gave my first exhibition of painting.”

That’s Salvador Dali, speaking about his wish to create a museum to his own work in the shell of the theatre at Figueres, destroyed, like so many other buildings in Catalonia and throughout Spain, at the height of their Civil war.

The courtyard, the Cadillac, the tyres... and... and....
The courtyard, the Cadillac, the tyres… and… and….

It’s an astonishing place.  Start out in the central courtyard, and you’re confronted by a Cadillac – Al Capone’s allegedly – beside a tower of tyres topped off by a fishing boat.  Wander round – in any order, please: Dali insisted there was no timeline or other imperative to be followed.

Homage to Hieronymus Bosch?
Homage to Hieronymus Bosch?
Gold cross.
Gold cross.

You’ll discover rooms of paintings in which he worked in the style of other artists as diverse as Vermeer, Picasso, Goya, Velasquez, Millet, de Chirico: was he in search of a personal voice, or simply exploring and celebrating his knowledge of art history?  A room full of fantastically bizarre creatures shows an affinity with the work of Hieronymus Bosch, but only a few yards away is a room full of exceptionally fine gold and bronze jewellery, largely made from coins with the heads either of Dali or his beloved wife Gala on them.

Then there’s the Mae West room.  Walk in, and you’ll see some random objects: a couch, two wall paintings, a fireplace.  Climb the stairs at one side of the room however, and look though the lens, and there she is, Mae West herself, in all her ruby-lipped glory.

And here she is.
And here she is.

It goes on.  He’s copied Michelangelo’s Moses: but what’s an OT prophet doing with a giant squid?

Or go and get vertigo while standing four-square on the ground, viewing the dizzying perspectives of the ceiling in the Palau del Vent.

...and that's only a bit of the ceiling.
…and that’s only a bit of the ceiling.

The whole thing was by turns stimulating, exciting, puzzling and sometimes even annoying – bizarre for the sake of being bizarre.  We’re really glad we went, though once may be enough.  And if you want to know more, there’s an interesting account in the blog ‘Elsewhere’

The Civil War came up again when we visited the Castell de Sant Ferran, just outside Figueres.  It’s an enormous, star-shaped site, built in the 18th century to protect the Spanish from the French, but it saw almost no action.  But in the 1920’s, Salvador Dali did his military service there. It only came into its own during the Civil War.  Then it provided secure storage for masterpieces from the Prado in Madrid, and became a stronghold for international brigades and ammunition.

We spent so long tramping round the walls – it’s a 3 km walk to encircle the entire site – that we didn’t explore the interior, which may have been a pity: some other time.  But what a walk!  As we began we could clearly see the Mediterranean coast and towns such as Roses.  Then the Pyrenees, covered in snow over to the north, and the dusty more barren nearby hills.  Figueres itself doesn’t give a good account of itself from up here: modern concrete factories and lots of high-rise blocks.

A small stretch of castle wall, with the Pyrenees beyond
A small stretch of castle wall, with the Pyrenees beyond

And that was it.  Our brush with the law in Barcelona had left us feeling a bit sour, and we felt our holiday was at an end.  So off home for us, planning a return one day to explore that coast we’d caught distant glimpses off from the castle walls.

The tragic and savage history of l’étang d’Izourt

The drive to the start of the walk was dramatic enough.  Forested and craggy, our narrow road out of Auzat switch-backed steeply up the slopes in a seemingly endless series of hairpin bends.

And our walk began, an 1800 foot climb, upwards through forest then out onto the stony, rocky path towards the man-made étang d’Izourt, one of the many reservoirs in the area maintained by EDF to provide power. Once, a helicopter flew over.  Since there are no roads up there,  it was delivering either men or supplies to a team we could see labouring on a more distant slope.

The walk changed for me as I learnt the story of what had happened back in 1939 when the reservoir was being built.  Most of the members of the construction team at that time were economic migrants, Italians from the Veneto, and whilst working there, they lived in huts on site.

The weather conditions had already been atrocious for days when on March 24th 1939, a fierce blizzard struck.  There was no option for the workers but to hole up in their huts.  The storm was so fierce that huts B and C were destroyed from the weight of snow above, and the roof from hut A blew off.  The desperate men sought both to escape and to try to help their work mates, many of whom had died or been gravely injured by the tumbling buildings.  A nearby avalanche brought down the cable car linking the site with the works below.  The only way up was on foot, and rescue attempts were pretty much futile, though bodies and the injured were recovered as management attempted to evacuate the entire area.  On 28th March, a team of army skiers managed to get through and working into the night, brought down the remaining bodies and wounded.  31 men, 29 Italians and 2 French, were buried at the cemetery in Vicdessos on 31st March.  There they remain, as the families in Italy were too poor to manage the expense of repatriating the corpses.  The memorials at the lakeside are still the site of pilgrimage, thanks to the efforts of the ‘Ricordate-Izourt’ Association: locals and Italians who honour the memory of those lost workers.

We ourselves had started our walk in bright sunlight.   Spots of rain began.  Then the wind.  By the time we reached the lake, there were times when the gusts felt almost horizontal, and we struggled to find protection from the rocks to eat our lunch.  The more modern huts now on site have their roofs held on by strong metal cables, and we could understand why.

The sky turned the colour of lead, and we rejected the idea of exploring the lake in favour of hurrying down the way we had come.  We knew we’d be OK, but we also know to treat the mountains seriously and with respect – conditions can change very quickly.  We were fine of course, but that fierce wind on a warm October day gave us the smallest hint of what things could be like if you were trapped there in much nastier conditions.  Even now, the most efficient way of supporting the workers still on site from time to time is to get them and their supplies there by helicopter.  A noisy chopper whirled up and down the mountainside several times as we walked down, our journey cheered by a rainbow linking our mountain with the one next door.  Though we were sorry the weather had chased us home, we were grateful  not to have been exposed to  the dangers the mountains can offer from time to time.

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In search of a druid – or a trout

Mont d’Olmes: local playground for skiers.  You wouldn’t travel any great distance to spend a holiday here, but for locals, it’s the ideal winter sports spot.  It’s a wonderful area for walkers too.  We’ve only just begun to discover the wealth of footpaths, mainly across truly ‘sauvage’ slopes, with views downwards to Montségur, Roquefixade, and northwards almost, it seems, as far as Toulouse.

It’s alright waxing lyrical though.  For many people living in the area many years past, and until the early years of the 20th century, these slopes were the places where they came for long hours each day, working both on the surface and by crawling through narrow airless tunnels, mining talc.

Talc?  Yes, that stuff you sprinkle on babies’ bottoms.  That stuff those Olympic gymnasts plunge their hands into before taking to an overhead bar.  That stuff that apparently still has many industrial uses, notably in the ceramics industry and for plastics paints and coatings.  This soft soapstone was found here on Mont d’Olmes and is still mined in nearby Luzenac.  Here though, all that is left are the gashes in the mountainside where the workings once were, and a few ancient trucks once used to transport the material down to civilisation.

Come and take the path we took last Sunday.  We walked in more or less a straight line, up and down hill after hill, as the path became increasingly rocky and impassable.  Our reward was the occasional handful of raspberries or bilberries, then a lunchtime picnic by l’étang des Druides.  No, sorry, l’étang des Truites.  Whatever.  Nobody seems to know which name is correct.  Some say the person making the first map of the area misheard and wrote ‘truite’ – trout – instead of ‘druide’.  We saw no trout.  We definitely saw no druids.  But we had a jolly nice picnic.  And I paddled.  And then ruined a perfectly good day, in which morning chill and mist had given over to hot sunshine, by falling flat against the rocky path, cutting open my face and chipping three teeth.  I hope the druids weren’t lining me up for some kind of sacrifice.

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Once upon a time, in Benac….. Le Cami des Encantats

Today we visited Benac, one of those  small and almost picture-postcard-pretty  villages outside Foix.  I think it’s unlikely that too many horny-handed sons and daughters of toil live there these days.  Too many freshly painted facades and cheery boxes of geraniums at the windows. Too many sleek and highly-polished cars.

But once upon a time it was a busy working community. For the last few years, every summer the villagers here and in nearby hamlets arrange carefully constructed and dressed figures into appropriate corners of both village and countryside.  These figures celebrate the way of life that persisted here – and throughout France – for centuries, and only died out some time after the First World War.  They call the paths you follow to hunt out all these scenes Le Cami des Encantats: Occitan for something like the Enchanted Pathways.  Come with me and take a look.

A Mediaeval picnic

Montségur in the morning mist

Saturday morning dawned damp and misty. This was fine by the 100 or so walkers who gathered bright and early in Lavelanet for the annual Marche du Tisserand. The walk, organised by the town’s Musée du Textile, celebrates the ancient ‘chemin pavé’ used by the cloth workers who lived in Montségur and walked this path to bring their produce down to Lavelanet to be sold. Saturday’s walk, the 27th, was for fun, and nobody would have had more than a light rucksack to carry. The full three hour trek (6 hours both ways of course), steep and stony at times, when laden with goods to sell one way and perhaps provisions for the household the other must have been a slightly different matter.

This time too, there were goodies at the top for the walkers as they finished their ascent. The mayor of Montségur was there with an aperitif for everyone, and we at Découverte de Terres Lointaines were there too, with a mediaeval picnic we’d been preparing .

Who knew chopping coriander could be such fun?

The cooking took several days, but the research, with the help of the Museum at Montségur, took weeks of researching, testing, tasting, rejecting, trying again… Still, eating’s always fun

Though curious, the walkers were suspicious too. What would a mediaeval picnic be like? Heavy, probably, with mountains of flatulence-inducing beans. Tasteless too maybe.

What a surprise then. Here’s the menu:

Spinach tart with lardons: we could have used nettles or any of a whole range of herbs, but settled on the more widely available vegetable option.

Poichichade: this herby chick pea paté, which we served on hunks of organic wholemeal bread, is a close cousin of hummus, but without the tahini. It went down well.

Broussade:  star of the show! A very tasty mix of smoked fish and curd cheeses. This really is one for anybody’s dinner table. Simple too. Recipe below.

Pets de nonne: basically deep fried choux pastry, puffy and light. Here’s the story. Back in the Middle Ages, the bishop of Tours was visiting the Abbey of Marmoutiers to bless a relic. Whilst preparing a meal in his honour, a novice let fly an unfortunate noise of the kind familiar to those of us who’ve eaten far too many beans. To cover her embarrassment, she busied herself dropping the choux paste she’d been making into some handy cooking oil so that it sizzled loudly. The pets de nonne were born.

Fromentée sucrée:  cracked wheat cooked with milk and honey. If you like rice pudding, you’d like this too

Gâteau de fruits secs:  a rich and heavily fruited pain d’epices style cake.

Just before the walkers arrived: The picnic on its thoroughly modern paper plates.

The congratulations when they came – and they came in quantity – were tinted with some astonishment:  ‘It was so good. We never expected it to be so tasty! Well done’.

But after eating, drinking and lots of talking, it was time to dance. Zingazanga had been playing loudly throughout the meal, but they turned their attention to teaching us simple steps and dances from centuries ago. Even I with my two left feet joined in.

Let the dancing begin

Broussade

Ingredients
• A quantity of as many varieties of smoked fish as you can decently lay your hands on: we used smoked salmon, herring and haddock.
• A more-or less equal quantity of brousse. This is a curd cheese made from the milk of sheep, goats or cows. A mixture would be ideal, and failing that, any soft curd cheese.

Broussade in the making

• Paprika
• Chopped dill
• Seasoning.

Process half the fish coarsely, and finely chop the rest. Mix with the other ingredients. That’s all. Enjoy with some good bread and a probably thoroughly un-mediaeval green salad.

‘East, west, home’s best’

When guests come to stay, Malcolm and I often pore over maps looking for some unexplored – by us – corner of our patch.  But in the end, what’s the point?  Our visitors aren’t sickly pale wraiths whose jaded walking appetites have to be tempted by novelty.  They’re happy with the solid day-to-day fare just a mile or two down the road. To them, in any case, everything is new.

We too are happy to revisit favourite walks.  They’re never the same.  The changing seasons bring different flowers, different cloud formations.   Mountains which perhaps were sparkling bluish-white last time we visited, turn green and purple towards summertime with just the odd small patch of snow near their summits.

Today, then, we went with Christine to visit our old friend Roquefixade, just a few miles away.  A steady climb through the juniper-scented woods and along a rocky ridge leads to a ruined château, once far above us, now somewhat below. Here it is.  Enjoy the views.  We did.

Capital Capitelles

The first capitelle on our walk

We’ve been walking north of Carcassonne today, with our friends Barbara and Tim, holidaying in the Aude from North Yorkshire.  When we decided to go and explore the curious stone huts called capitelles in the scrubby garrigue near Conques sur Orbiel, we assumed they were something like the orris of the Ariège.  These too are small sturdy dry stone wall huts: but orris were used by upland shepherds.

The dry stone walls of the capitelles

Capitelles are quite different.  Following the formation of France’s Second Republic in 1848, everyone wanted something to call their own.  Here in Conques, the poorest members of society looked beyond the village where they lived for some way of acquiring a bit of land  and earning some extra money. They realised that the dry impoverished soils of the garrigue were good for only one crop: vines.  As the peasants started to work the land to plant their vines, they dug up stones – hundreds of stones.  And they used them in the first place to make low stone walls marking the limit of their territory.

That south-facing door’s not very big

After that they built small huts to shelter from bad weather.  These round or square huts are in the form of a dry stone wall rising to a semi-circular vaulted roof also in stone: no mortar, no foundations, a bare earthed-floor and a single small door, always facing south.  They were all built by1880 or so, and the peasants who built the huts and worked the land here would have done so in any spare time left from their ‘day jobs’ as farm labourers.  And this continued till the Fist World War.  Men left to become soldiers, and at much the same time phylloxera struck.  This double blow meant the area returned to uncultivated garrigue, and only recently have the capitelles been restored.  They add interest to a stony landscape characterised by scrubby vegetation, low trees and shrubs and bright ground-hugging summer flowers.  I’d have said distant views of the Pyrenees too, but today was misty and overcast, so Barbara and Tim had to take our word for it.

Close up of a carefully constructed roof

Once upon a time there was a town…

We thought we knew Laroque. An afternoon’s walk round town with local historian Paul Garrigues as part of this weekend’s Journées du Patrimoine has convinced us otherwise.

The bridge near our house is modern and slightly re-sited. But we had no idea that the main road it’s on, leading to one the busiest roads in the Ariège, the D625 to Lavelanet, used not to exist. To go to Lavelanet, you used to go straight up the hill, and down back-street Rue des Pas Perdus.

To those in the know, evidence of the former town gates

And here you’d go through one of the town gates. Using this path day after day to reach our garden, we’d never noticed the buttressing that indicated the former presence of these gates. Nor did we suspect that the narrow road and path which is now a way-marked walker’s route which passes past our garden, down to the River Touyre was once a busy thoroughfare. You follow the river to the former railway line, where you turn right and take a shady tree-lined route barred to anything more technical than a bicycle through the next village, Dreuilhe, and on into Lavelanet. Quite different from the lorry-van-and-busy-commuter route now in operation.

Once upon a time the main road to Lavelanet. Now the path past our garden.

We knew our town is an old one. It’s not uncommon to pass houses whose door lintels are inscribed with a date from the 17th century.

A nearby house announces its d.o.b.

What we didn’t know was that in the old town itself, there are no buildings at all from before this time. This is because every single dwelling was destroyed during the French Wars of Religion (1562 – 1598). The crisis was so grave the King permitted the townspeople an amnesty from paying taxes for several years to give them a chance to rebuild.

But before all that was …. the Women’s Revolt.  Back in the 16th century, the women of the town would bring their bread to be cooked at the Four Banal, the site of which lives on today as a street name.

Rue Montée du Four Banal: the sign’s fixed to remnants of the old town wall

They paid the local lord to manage this service and the lord paid a baker. Who decided to exact his own charges too – one loaf in every 20. When the women’s angry protests were ignored, some 80 women held a somewhat violent demonstration, and followed up by taking their bread to nearby Esclagne and La Bastide to be baked. It all ended up in an enquiry directed from Carcassonne. Result? It was the baker himself who was found to be at fault: his taxes were illegal, but it was the lord who had to reimburse the women. For their part the women were forbidden to have their bread baked elsewhere. The Four Banal itself is by yet another former town gate, and traces of the old town wall still exist.

Perhaps the Four Banal looked like this?

It was during this period too that several streams ran through the town, forced into culverts between the houses, with little wooden bridges built over. They were useful to all the artisans involved in various aspects of the textile industry and other trades.  Can you imagine the smells you’d have had to endure if you were unlucky enough to live in the same street as the tanner?

More recently, in the late 19th and early 20th centuries, Laroque was a prosperous commercial centre for its then more than 4000 inhabitants (2000 now) and the workers who flocked from a wide area to work in the textile mills. There were three cafés in the market square alone, as well as an hotel. Three abattoirs too, to serve the needs of all the butchers – one was in what’s now our garage. And shops of every description in what are now entirely residential streets. Then as now there was a huge social mix. One fine house, now down on its luck, was built for a successful surgeon and his banker son.

Once a surgeon’s house: now increasingly shabby

So now we’ll keep our eyes open, and perhaps notice those clues of former commercial activity: a ring set in a wall perhaps, for a trader delivering stock to tie up his horse or donkey, as well as the more obvious painted-over shop signs. I-Spy for residents.

I-Spy a delivery man’s tethering ring

I-Spy a shop front: one of the several vintners in town

Our socially mobile terraced house: or ’génoises’ – a history

You might have thought we were pretty ordinary types living in an ordinary old terrace house – an ex-butcher’s shop for heaven’s sake – in a run-down ordinary little town.

Well, you’d be wrong.  This house, and the neighbouring ones, was built for minor nobility.  We haven’t scoured the archives or talked to the Oldest Inhabitant to find this out.  We just know.

And this is how we know.  Under the eaves of our houses are three rows of génoises, resembling a child’s drawing of ocean waves, but turned upside down.

Three rows of our génoises, underneath carefully picked out in terracotta paint to show them to full advantage

Back when our house was built, some time in the 18th century, the number of rows you were able to have denoted your social status. Artisans were permitted one row, shopkeepers two.  Minor nobility – ahem – three.  And if you were directly in the service of the king, then you could claim four rows.

You’ll see houses with génoises south of a line that runs pretty much from Bordeaux to Lyon.  It’s thought that the technique, which is Italian, was introduced firstly to Provence and then more widely, by artisans from Genoa round about the mid 17thcentury.

Here at Villar Saint Anselme in the Aude is a rare building with 4 rows of génoises. Look carefully: the swallows – no respecters of status – have built their nests on the undersides

By the nineteenth century, the social implication of the number of rows of génoiserie had pretty much disappeared: people contented themselves with one or two rows for decorative purposes.  We’ve seen our house on a late eighteenth century plan of Laroque, so we know the house, complete with génoises, must have been built by then.

And a family with pretensions to nobility lived in a tall, narrow terraced house?  Admittedly with some nice features, but still nothing fancy at all.  Well, inheritance laws in pre-Revolutionary France had estates divided up between all the heirs, so land and property became shared into decreasingly smaller parcels.  Families graced with extensive land and properties were few and far between.  This helps explain too why the agricultural revolution taking place in England from the 18th century took no hold in France.  Tiny farms resulted in small-scale farming and a near-impoverished peasantry.

And at some point, the house passed into the hands of the previous owners’ family and became a butcher’s shop.  Now it belongs to (almost) the only English in town.  Its noble origins are long forgotten.

A country childhood

We went to Thirsk, our next nearest market town this week, to the cinema.  Nothing remarkable about that – to anyone but me.

The Ritz: and the queues waiting to see the film

I last went to the Ritz almost exactly 60 years ago, my very first visit to this, or any other cinema. I’d gone with the whole school – about 40 of us – to see the newsreel showing the Queen’s coronation.  I remember queuing with all my classmates, quietly and slightly over-awed, outside this vast building and going up dark stairs to an even darker and cavernous auditorium.  I remember the excitement of seeing that screen, so large it filled our entire view, with its flickering black and white images of the Queen’s horse-drawn carriage processing with regiments of  bearskin-helmeted soldiers marching before her.  But I can’t remember how we got there or how we got back: yet it must have been quite an expedition from our village school in Sandhutton, some 2-3 miles away, normally connected to Thirsk only by a twice-weekly bus.

So it was quite a shock the other day to discover that the Ritz is far from palatial in size.  In these days of the multi-plex, it has room for only one screen.  It feels small, intimate and cosily shabby, much loved by its team of volunteers of a certain age.

As part of our day out, we simply had to visit Sandhutton, the village where I’d spent several years and begun my school career.  It looked much the same as I’d remembered it.  There was the endearingly small parish church (I remember cathedral-like proportions) at one end of the village green, the pub at the other: it’s like a stage set for the Archers.  Nowadays, the farm labourers who were our near neighbours seem thin on the ground.  We called in at the village shop and found it selling an eclectic collection of fine wines, decent cheeses and craft-bakery cakes rather than more workaday essentials.

And my school, originally outside the village, but now joined to it by a street of modern housing, has become a community hall.

The school at Sandhutton

Back in the early 1950’s, my mother was head of a two-teacher school, and we lived in the school house behind.  Now it’s a handsome family dwelling.  It always was, but it looks as though the privy is no longer at the bottom of the garden.  Nor is the school’s row of outdoor toilets still in use.

The school had two classes.  I was in the one for 5 – 8 year olds.  Our teacher was Miss Burnett, and a recently found photo confirms that she was  slender, white-haired and elderly.  The high point of the day for the little ones was when we gathered round the school wireless to listen to that day’s broadcast of ‘Listen with Mother’.  That same wireless broadcast ‘Music and Movement’ twice a week, and we pushed our desks to one side to prance around pretending to be storm-tossed trees, nymphs or dragons.

Sandhutton Board School, built 1892

My mother had the 9 – 15 year olds. Those who passed their 11+ could go off to Grammar School.  Few passed, and none went to the Grammar School in any case, as they were expected to leave school at 15 and get farm work.  There were days designated as holidays from school when the older children went potato-picking.

And in those post-war vitamin C starved days, we would have whole afternoons when the entire school would go rosehip-gathering for the syrup producers such as Delrosa. Expert pickers could aspire to a tin badge for their efforts, but we 5 year olds had no hope of this exciting prize and our work went unrewarded.

I wasn’t at Sandhutton school for very long.  My father was Polish, and like many of his countrymen had fled to Britain and joined the RAF during the war.  Unable to find a job locally afterwards, despite his degree and excellent English, he’d gone to London.   When he found work, he sent for us.  London became my home until I left school.

My father’s work turned into his life-long business.  My mother was able to return to her preferred option, teaching Classics in a Grammar School.  And I tried to keep my head above water in a large inner-city primary school with as many children in a single class as we’d had in the whole of Sandhutton school: oh, and to lose my northern accent pdq.