From Pyrenees to Pennines

That is the question posed by Patti, for this week’s Lens Artists’ Challenge #228. Well, not done for me exactly, but done for my photos. Have a photos diagonal lines invited us in, encouraged us to explore the picture, or to focus on some detail?

Let’s have a look, and have a bit of a trip out too.

We’ll start off close to home, one cold wintry morning as I went to get the paper. Those rays of sunshine enlivened the scene, and my mood.

Here are two more, from just down the road. A tree which instead of reaching skywards, leans across the woods to demand a place centre-stage for the whole shot. And ox-eye daisies splicing the image in half, showing us there’s countryside, not a garden beyond.

A trip to the seaside? Alnmouth in Northumbria?

This quiet beach looks dramatic when the tide’s out.

Brussels now. A bank of plate glass windows reflects the opposite side of the road to dramatic effect. Monochrome too, for Bren’s Mid-Week Monochrome.

Off to Spain now. All those dizzy hairpin bends in Cantabria invite us to explore.

Then two more scenes – one from Cádiz, the other from Valencia. Those diagonals pull us in to explore the cathedral in one, the reflections in the other.

This shot, from Alicante, uses the ropes on a yacht as a frame for the scene beyond.

I’ve hesitated over whether to include this last shot in what is essentially a light-hearted post. But this photo – not a particularly original one as so many others have taken similar shots – has stayed with me. It’s Auschwitz-Birkenau concentration camp in Poland. These are the railway lines that brought so many thousands of Jews on their very last journey. I wrote about it here.

I decided on balance to include it, as the relative optimism I felt when I wrote that post five years ago has disappeared in the light of world events over the last couple of years: and we shouldn’t forget.