Egidio, of Through Brazilian Eyes fame, has presented us with a thoughtful task this week, for the Lens-Artists Challenge . He asks us to portray Silence. He frames his post by discussing the work of photographer Robert Adams, who identifies five core principles* when thinking about the photography of silence. I have borne these in mind, while not illustrating each one, as I had originally intended.
Here are some I came up with.
The silence of the beach on a calm day, in the early morning, or the early evening, when visitors have gone and the beach is yours alone.

The aftermath of flooding in the countryside. The tractors, farmers and customary wildlife is silent, and the fields instead reflect the trees at the margins.

The silence of the snow. No wind, no chatter of birds, no soft animal calls. We passers through are reduced to low murmuring, if we speak at all.

The silence of the garden. Not a true absence of noise. Birds trill. Insects hum. A light breeze rustles the leaves. But there’s a silence here that stills the busy mind.

The silence of a deserted place. Early morning at Fountains Abbey. The place is empty of visitors. But the whole history of the place crowds into the mind: the tanners and builders and labourers and chanting monks. They’re silent now. And so are we.

Lastly, a terrible silence. A few years ago, I visited Auschwitz-Birkenau. During the morning, we were taken round the site by guides who had been trained by former prisoners. They knew their subject well, and brought it vividly to life. In the afternoon,we were confronted by those tracks that brought the trains conveying hordes and hordes of men, women and children to slave here, to die of sickness or starvation, or to be killed in the gas chambers. There was nothing whatever to say. We were utterly silent.

*Silence of light.
*Silent witness to environmental change.
*The silence of the subject.
*Silence as a form of protest.
*The silence of the viewer
My featured photo shows the lakeside at Kiplin Hall, North Yorkshire.
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