The last two weeks’ Lens Artist Challenge had us focussing on all the eye could see in a single glance: seeking the symmetrical and the asymmetrical. This week we’re homing in on detail for Anne of Slow Shutter Speed.
In my last post I stayed pretty rural, and I’m doing that again, though beginning at the seaside. I think that Arctic tern in the featured photo is homing in on something: maybe something that’s bothering his newly-hatched youngsters.
Let’s go to a farm. Here are two sheep.
Did you think that a-sheep-is-a-sheep-is-a-sheep? Not at all. I’ve focussed on just six sheepy fleeces, filling the frame with six different styles of wool – I could have picked dozens more.
We’ll pop down to the duckpond. I’ve filled the frame with a female mallard. But let’s home in more closely:
We’ll get a touch exotic, and feature a peacock: yes, there are one or two farms round here that have peacocks on parade.
Sunflowers were exotic once in the UK. No longer. They’ve started to become a regular crop for some. And the bees are very pleased to have them.
Farmyards aren’t just about pretty things. There are gates and barns to be locked, and tractors to use and maintain – maybe not well enough, in this case..
So there we have it: getting up close to our findings down on the farm. I’m on my travels this week, and may not respond very promptly to comments. But I will get back to you – eventually.
In case you’re interested, reading from left to right from the top the wools represented are: Wensleydale; Cheviot; Leicester Longwool; Shetland; also Shetland; and … er … don’t know.
From Pyrenees to Pennines 
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