After a weekend of Storm Darragh, our car needs a litte TLC. On the way into town this morning, we’ll have a session at the car wash, and enjoy the view through the window as the suds and brushes do their work.



For PR’s Monday Window.

After a weekend of Storm Darragh, our car needs a litte TLC. On the way into town this morning, we’ll have a session at the car wash, and enjoy the view through the window as the suds and brushes do their work.



For PR’s Monday Window.

On the first Saturday of every month, a book is chosen as a starting point and linked to six other books to form a chain. Readers and bloggers are invited to join in by creating their own ‘chain’ leading from the selected book.
Kate: Books are my Favourite and Best

This month begins with Catherine Newman‘s Sandwich. It’s a book I enjoyed – with reservations – but let’s concentrate on the basics. This is a smartly delivered story told through the voice of menopausal Rocky as she goes with her husband; her two grown up children; and for part of their week there, her elderly parents to the same -faintly decrepid – house in Cape Cod that they’ve rented every summer for years and years. This gives me my premise for my Six Degrees this month. All my choices will have a marriage embedded in the story – to a greater or lesser degree.


Here’s another American marriage, in Ron Rash‘s The Caretaker. Jacob is called up to fight in the Korean war, and has to leave his pregnant wife Naomi behind. He is from a privileged background, and Naomi most definitely is not. His parents disapprove of the match so much that they set up a subterfuge to ensure that the couple will never see one another again once Jacob returns. Only one person, Jacob’s childhood friend has an idea that something very wrong is taking place. The book quietly presents a story that slowly unfolds when Jacob comes home, invalided out of the war, and believing himself a widower, with a child who never saw life. A cleverly devised plot, which for all its lack of high drama, is suspenseful to the end. My first Ron Rash. But definitely not my last.


Naomi doesn’t feature directly in Rash’s story. The wife in my next choice doesn’t either: Bernhard Schlink‘s The Granddaughter. 1964. A young West Berliner spending time in East Berlin meets a young woman and falls in love. He contrives her escape, marries her. But they do not live happily ever after. She only half heartedly returns his love, is constantly searching for she knows not quite what, and eventually dies in a drunken stupor. Only then does her husband, a bookseller, discover that she’d had a baby whom she’d abandoned before marrying him. The book describes his search for this woman, who must now be well into her 40s, and it results in his taking the woman’s own daughter under his wing and having her visit him for weeks at a time. A tale of complex feelings: getting to understand that the East was not in fact necessarly grateful to be ‘liberated’: that anger, bitterness, political feelings that resulted in the rise of the Far Right in Germany is one of the consequences of the fall of the Berlin Wall. His granddaughter’s father has passed all this anger onto his child, and this plays out in the latter part of this book. A moving and illuminating account of the feelings informing modern German politics.


The division of Germany into East and West was a consequence of World War II, so let’s go to wartime France. Code Name Hélène by Ariel Lawhon. A real fast-moving page-turner, detailing the war time adventures of the real-life Nancy Wake. An Australian, Nancy lived and worked in Europe as a reporter in the years before the war. By 1939, she was in Marseille, and it’s here that her story begins – as far as the book is concerned. The plot however, weaves between her four incarnations as, initially an ambulance driver and people-smuggler for the French resistance: and increasingly, under different guises, as a fully fledged member – and commander even – of the guerilla military arm, in her case in the Auvergne. We are also witness, in Marseille, to the slow-burning yet passionate love affair between herself and Henri which results in their marriage. Her war work drives them physically apart, but does not diminish their love for one another. This work cannot be described as a biography. Lawhon has admitted to some characters being composite, some incidents elided or transposed for the sake of the story. And certainly there are scenes here whose veracity could never be proved: though I am sure the general ‘flavour’ remains accurate. Nancy was unusual in being a female commander in a male world, which brought its own difficulties, and also meant she probably had to be larger-than-life. Henri has his own role in the story. But not until towards the end. Because I already am familiar with much of the history of the French resistance, I found this a fascinating and involving story, and I fairly raced through its (almost) 450 pages.


Let’s stay in France and look at Boxes by Pascal Garnier. I simply don’t know what to make of this. Brice’s wife Emma has disappeared, leaving him to manage alone the move into the countryside which she had wished for. In this book, we witness Brice’s descent into depression and madness. We see his developing odd friendship with his neighbour Blanche. Various intriguing hints are dropped, but never ultimately satisfied. For instance, why does Brice so strongly resemble Blanche’s father? The house, the surrounding countryside are described in unsettling ways. Everything is alien. Brice’s past life. His present life. His career, which he abandons, apparently on a whim. Everything’s on a whim: from his shopping choices to the hole he stoves into the kitchen/dining room wall. It was all a bit like watching a certain kind of French film, and I was bemused, rather than enthusiastic about this book.


Now for another book where it’s a woman who’s centre stage: Water, by John Boyne. We meet a woman in middle years who has just fled to live in a fairly remote Irish island, changed her name and as far as possible her appearance. Why? Only slowly do we find out. Her husband’s crimes reflect on her: the world assumes she had enabled them – and, she believes, one even greater tragedy. She has done her best to vanish. She meets a few characters who are also uncomfortable with their lives, making relationships with some. Slowly she regains the strength of character necessary to reject her husband and to renew her relationship with her daughter. This book deftly charts her slow, but steady steps to recovery.


And for our last book, we’ll return to America, though to (like Boyne) an Irish writer, in Billy O’Callaghan‘s My Coney Island Baby. Michael and Caitlin have been meeting as lovers for one day a month, for a quarter of a century. They are married, but unhappily, to other people. The book explores their time together, on a single day. The day when Michael reveals that his wife has been diagnosed with terminal cancer. And Caitlin will reveal that her husband is likely to be promoted, and will require them both to move to Illinois, almost 1000 miles away. Yet despite their marriages’ fading passion, duty and the constraints of middle age will probably keep them tied to their respective spouses. The book swings between the hotel bedroom where the couple meet, and their past lives which have brought them to where they are now, disappointed by the choices they have made. An achingly poignant exploration of an intense and long-held love, drowned out as darkness falls and duty calls.
So that’s it for this month. A selection of marriages and stories, and ending where we began, in America. Next month we leave earth all together, and read Booker Prize-winning Orbital, by Samantha Harvey.
Ask someone in the Western world about the Four Elements, and they might talk to you about Air, Water, Fire and Earth. Ask someone familiar with a Chinese cosmology and Wu Xing, and they would protest that there are five: adding Wood and Metal, and discounting Air. Sofia asks us to look at the five Chinese elements for her Lens-Artists Challenge. This is a big ask. I’ve seen wonderful posts from those who’ve contributed already, as well as Sofia’s own post illustrating elements as seen in the natural world. I’ve decided to focus on those elements as pressed into the service of man.
Let’s start with Air: through which fly aeroplanes (Metal) over the Earth beneath.

And where would our washing lines be without air coursing through our clothes hanging out to dry?

Or flags, flapping in the breeze?

Water next. Essential in every branch of life, here’s a (Metal) ship ploughing through it.


Fire. Trickier, this one. Here’s a blacksmith doing his Metalwork at Tees Valley Pumping Station. This Pumping Station is now consigned to history and the odd Open Day. But in the Victorian era, it existed to provide clean drinking Water to the people of Darlington.

And here is a collection of Metal artefacts and objects we saw when we visited.







Earth next. Without which … no forests, no crops, no bricks no … normal life at all.


Then there’s wood. One of our oldest building materials. Still the material of choice for window frames, for furniture. Even sometimes for cutlery!





And there we have it. A whistle top tour of the Elements, Western or Chinese style. I think my header photo, by the way, shows a bit of everything. Except perhaps fire. Do visit Sofia’s post, which will lead you in turn to other terrific responses to this challenge.
A sunrise captured in one of our downstairs windows one December morning. This image always makes me happy, so I’ll make it a bonus post for Ann-Christine’s This Made Me Smile challenge too.
For Brian’s Monday Window,

And Ann-Christine (Leya)’s Lens-Artists Challenge #326 – This Made Me Smile
Ann-Christine of Leya fame has offered us a challenge. She wants us to forget, if only for a moment, that we’re in difficult times: politically, economically, weather and climate-wise. What a good idea. Let’s smile.
We’ll start out with the intentionally humorous.
Here’s a battered house in down-town Seville. I hope the owners don’t hurry to slap on fresh plaster and paint, and cover up this jovial crocodile.

And here’s a puppet from the Puppet Museum in Cádiz, together with a jolly fellow who was part of a scupture trail in east London supporting chidren’s wheelchair charity Whizz-Kidz


Here’s a sign outside a bar in Liverpool:

All those intended to make you smile. These didn’t. I hope you’ll smile anyway, when you see our neighbour’s dog Poppy meeting her first snowman, and then spot this tree at Jervaulx Abbey.


We’ll finish with two different kinds of smile. The very first snowdrops of the year, I hope round about two months from now, always bring me joy. As did these wild flowers in the car park at Harrogate Hospital last summer.


My header photo is a shot that always delights me. Going down the drive early one winter morning, I just happened to have my phone on me. I recorded this scene for posterity: that serendipitous moment always brings a smile to my face.
Where words fail, music speaks: so said Hans Christian Anderson. And when Leanne invited me to host Monochrome Madness for One Week Only, I thought Music might be a good theme. We bloggers come from all over the world. Though many of us, in many nations, have English as our first language, there are dozens of different ones in the WordPress melting pot. But we can all enjoy music together, whether singing, playing instruments, or dancing, Or all of the above at once. Let’s do it.
My header image was taken at the neighbourhood Festa Major in Gràcia, Barcelona. It’s out of focus, and I don’t care. It captures I think the verve and enjoyment of those performing drummers.
Here are some dancers in neighbourhood festivals: in Catalonia; and in England – Morris Men.


Instrument players now. The drummer accompanying the Morris dancers; drummers celebrating Chusak in South Korea, and brass players marching in London in those heady optimistic days when some of us still thought Brexit might not happen.



Of course some instrumentalists out in the street are trying to earn a living. Here are buskers in Ripon and Bath.


And a harpist playing at a friend’s wedding in the grounds of the ruined Abbey at Jervaulx ….

Here are singers in Seville, relying simply on the beauty of their voices; and a singer-instrumentalist, heavily dependent on a supply of electricity to produce a sound.


Of course, first you have to have your instrument. Here’s a music shop in Málaga.

This thrush is a musician from the natural world. He commandeers a high branch here, spring after spring, and simply sings his heart out from early morning to early evening, almost without stopping. I wish you could hear him.

And while we’re in the Great Outdoors, is there anything more musical than a tinkling and plashing stream, tumbling tunefully over rocks?



Please do join in with your own musical offerings. And link back both to this post, and to Leanne’s site too, here.
Today, instead of a Monday Portrait, I offer you a Monday Anecdote, first told on November 26th, 2011. It dates back to the days when we lived in Laroque d’Olmes in the French Pyrenees.
Every now and then, in among all the banns of marriage and planning notices on the information board at the town hall here in Laroque, there’s a poster about a stray dog that’s been found. Not cats or hamsters. Just dogs.
Last week, though, my eye was caught by this:

How does anyone lose a donkey? And what do you do with it whilst you put out an appeal for the owner? ‘Oh he’s fine’, said Thierry, our Community Copper, ‘We’ve put him to work in the office at the Mairie’. I decided against saying the obvious, that he would be bound to be doing a far better job than the current Mayor.

It took a week for his owner to show up. He – the donkey that is – had an exciting time. First of all he was rounded up by the three blokes who first spotted him in the road just outside town, but who had no idea how to set about the job. Then he was frisked for tattoos or identity chips. None. Next he was sent to stay with our friend Henri’s donkeys (Thierry was fibbing about the office work). That had to stop when Henri’s female donkey got all excited at the new arrival and came on heat. Then he went to stay with the vet’s partner. He escaped. Amateur detectives all over Laroque and Lavelanet tried to find out where he came from. Eventually, after a week, his owner showed up, really rather cross. ‘Why didn’t anyone think to get in touch with me?’
There we are. That’s our excitement for November over.
Unaccountably, I have no donkey photos. These are from Unsplash.
I am sitting at the kitchen table and looking out of the window. This is where I measure the changes of season; decide on what the day’s weather will bring; enjoy the fuchsia, pink and grey tones of the winter sunrise and examine the spiders’ webs that lace our small window panes at this time of year.

In the middle distance is a line of trees. Now they’re newly stark for winter. A few weeks ago we observed them daily as the leaves turned first yellow, then tawny, chestnut and rust. Slowly the leaves started to fall. Then as November raged in, the wind snatched at them until finally last week, a storm bad-temperedly tore at the final tatters and flung them to the ground.

In Spring, it will all be reversed. At first, perhaps in earliest April, a citric haze on the trees will tell us that the buds are bursting, and will change daily, as the once-visible twigs and branches gradually leaf up, and disappear from view.
During that time though, while the branches are still visible, there’s plenty of action. Birds are home-hunting, prospecting for that perfect spot for a nest. Then there’s frenetic activity in the still-bareish trees as crows and wood pigeons flap back and forth, bringing twigs, feathers, moss, constructing untidy structures that despite their appearance are obviously sturdy enough – they’re still there now, high in the top branches. The smaller birds are more discreet, and though they build in the bushes and foliage nearer the house, we rarely see their nests. No, not even those of the sparrows, who cheep frenetically in the ivy below the window from the first moment they choose a site there, until the last fledgling has flown the nest.

Nearer is the brick wall of our landlord’s walled garden. This is where a line of pear trees grows, with, in early summer, pink clematis scrambling through.

Next to them are three lilac trees. One is purple, one mauve, and the third one white. For two weeks only – in May – they flower, riotously, casting bloom after scented bloom skywards. After that they die sulkily, and look quite ugly for weeks. It doesn’t pay to be away in May and return in June.


Glancing upwards, there are often skeins of geese on flying missions between one neighbourhood lake and another, or in the summer (though less and less frequently these days), swooping and shrieking patrols of swifts.

So many sights and sounds to enjoy, so much action in the scenes just beyond our window panes. Never a week goes by without one of us saying to the other ‘Aren’t we lucky to be here? How could we ever move away?’

For Tina’s Lens-Artists Challenge #325: Gratitude
And Georgina’s Nature Writing for November: Looking through a window.
This week is perhaps the first one in which winter trees came into their own here in North Yorkshire. Recent high winds have snatched the very last scraggy leaves from their boughs, and now their austere skeletons are revealed in all their – often handsome – characterfulness. Here’s a small selection for Leanne’s Monochrome Madness. The header image, taken in Horniman Gardens, Forest Hill is not a true monochrome, but I’ve left it just as it is, to remind us that winter days – in London especially – can be black and white indeed. It’s the only image here not from North Yorkshire, or as we might call it today, The Frozen North.







Why the long face? Winter’s not ALL bad.






A happy morning at Rock House Farm, Newton-le-Willows (the Yorkshire one, not the town in Merseyside).
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