‘Everybody loves to fly: but no one loves the fly’*

It’s true. Flies on the chopping board? Swat it now. Fruit flies crawling over the fruit bowl? Sluice them under the tap. Horse flies? Aaagh.

And yet we need them, those flies. Their larvae clean up after us – all that poo, all those dead bodies. The adults pollinate for us. They’re part of the cycle of life that we depend on.

I have not a single photo. Not one. So I’ve gone to Unsplash, a free-to-use stock photo site that I use a lot and recommend to you. Denzil’s Nature Photo Challenge is meant to be an opportunity for us to showcase our own images. But this time, I’ll showcase the works of others. They really make the case for a fly being a thing of beauty, as well as of use.

The photographers haven’t named their flies, so I’ve had to try. Corrections welcomed. We’ll start with the house fly:

Tobias Roth. The featured photo, also of a house fly, is by a Spaniard, Josep Plans.

Next, a sarcophaga, a flesh fly. I guess the clue is in the name.

Ranjith Alingal.

And finally, a green bottle fly.

Luca
  • Pall Maroof

Six Degrees of Separation from Romantic Comedy to Go, Went, Gone

On the first Saturday of every month, a book is chosen as a starting point and linked to six other books to form a chain. Readers and bloggers are invited to join in by creating their own ‘chain’ leading from the selected book.

Kate W. Books are my favourite and best

This month’s starter book is Curtis Sittenfeld‘s Romantic Comedy. Anything Sittenfeld writes is fine by me, but I haven’t managed to read this one yet. The Guardian has it as an ‘affable, intelligently crafted tale of work and love’, with a somewhat insecure heroine who can’t believe that true love has really come her way.

Let’s stay with complicated love, in The Rachel Incident by Caroline O’Donoghue. At first I thought I’d stumbled upon a Mills & Boon for Millennials. Then I thought I might not be all that interested as I’m scarcely the same generation as Rachel and her friends and colleagues, floundering through messy early adulthood. But almost against my will, I was drawn in to the convoluted affairs and working arrangements of Rachel, and her gay friend and flat mate James. We begin in 2009, and there’s a recession on, which colours everyone’s prospects, including Rachel’s middle class dentist parents. Rachel is at first finishing her English degree while also working in a bookshop. She fancies her professor. But he, it turns out, has begun an affair with James, although he’s married to the woman whom Rachel is in due course working for as an intern, and Rachel has fallen for someone who’s fallen for her too, but has a habit of disappearing … It’s all intriguingly complicated and believable. It’s gossipy, witty, wry and a real page turner. Recommended.

Love story involving gay men? We’ll go for a tremendous first novel from Alice Winn: In Memoriam. Here is a book which starts in an English public school, and moves quickly to WWI and the trenches. This is the journey of a varied cast of characters, chief among whom are Stanley Ellwood and Henry Gaunt, both of whom have been exploring their homosexuality whilst still at school. They exchange their privileged lives for the grim reality of battle, and Winn uses telling detail to underpin how truly frightening and beastly in every sense this is. Every few chapters the Preshute College magazine appears, and among the ever-longer lists of dead and wounded old boys are the names of characters we too have come to know. Ellwood and Gaunt, so very different, continue their relationship. Winn explores the strong bonds and unlikely alliances that war brings about, and continues this exploration to show its effects on the families whose sons have gone to fight, and its effects in the years after the war. A moving and deeply affecting book. I’m quite well-versed in WWI literature, but this has perhaps brought the full horror of that war, and its long-reaching effects before me in a way that few other books have done.

One of the consequences of war is that the world of spying evolves. This month I read Ben Macintyre‘s story of super-spy Kim Philby. As with in Memoriam, this book – A Spy among Friends – is peppered with ex-public school characters. Here is a graphic picture of a completely different world: a world in which who you know, and the school you’ve been to, rather than what you’ve achieved and the jobs you’ve held gets you into a career in espionage. A world in which secrecy was paramount, and – apparently – an ability to down prodigious quantities of alcohol. Ben Macintyre shows us this world, as it existed during WWII and the subsequent Cold War. He introduces us to the milieu of the agent – and the double agent. Specifically to Kim Philby who worked tirelessly not only for the British, but for the Russians, thereby sending colleagues and blameless citizens to untimely deaths. His life was a lie. Not his two closest friends, nor two of his wives or his family had the least idea of his machinations. He remained unsuspected by his M16 and American colleagues for many years. This is his story, pacily told, and offering a picture of this secretive world of postings and relationships all over Europe and the Middle East. In many ways, this isn’t my sort of book. But Macintyre is a reliably involving and good writer who draws you in. I’m glad to have read this book, and thoroughly relieved that neither I nor anyone I know is part of this duplicitous world. I don’t think…

Patrick Modiano‘s The Search Warrant also explores the consequences of war. Nearly 40 years ago, Modiano came across an ad in a 1941 edition of Paris Soir: by two Jewish parents seeking for their daughter who had run away from boarding school. His interest piqued, Modiano set forth on a ten year search to find out more about the life and possible death of the child, Dora Bruder. While he never forgot her, his search was intermittent. He looked at documents and newspapers. He trawled through the streets of the Paris Dora frequented, though many of them had changed almost beyond recognition. In this document of his search, he paints a picture of the Nazi occupation of Paris, of the lives of the Jewish citizenry – incomers from all over Europe – under Pétain’s regime. He connects and contrasts Dora’s adolescence to his own. This then is a personal story, as much about Modiano himself as about Dora Bruder. It is though a memorial to her, and to any and all of the Jews who lived and died in that particular and brutal period of French history.

War of a different kind, with Eco-warriors centre stage is the subject of Eleanor Catton‘s Birnam Wood. Full disclosure. I borrowed this edition of the book from the library, then discovered that the BBC was currently serialising it, so – unusually for me – I ‘read’ it courtesy of BBC Sounds. And I didn’t enjoy it. Could this partly have been that the resident ‘baddie’, the American tech billionaire’s voice was so clearly that of a man dripping evil that any nuance the book might have had was lost? In the Good Guys’ (not Shining White Good Guys) corner were the members of a guerilla gardening group who want the land not as a bolt-hole or a secret mining project as American Lemoine does, but to pursue their aims. Lemoine’s drones and techie spyware sees all. Then there’s ex-guerilla Tony, and investigative reporter … and Owen, a self-made pest-control business man, whose wife actually owns the farm on which the land in question is sited, and who is willing to sell. All of these, with conflicting aims and ambitions were in the mix. The verbosity and proselytising of many of them lost me early on. The characters were thinly-sketched ciphers of Types, and I warmed to none of them. The ending was an excitingly gruesome one, but for me it was just a relief that it heralded the end of the story.

Another consequence of war. Refugees. Asylum seekers. These are the subject of Jenny Erpenbeck’s Go, Went, Gone. Richard is a widower, a retired professor of Classics in Berlin in the former East Germany. His life seems – to him as well – somewhat purposeless. One day he happens upon a demonstration in town by a group of refugees from various African nations who have camped out there. This is a world of which Richard knows nothing, but his interest is piqued, and gradually, reluctantly at first, but then with increasing passion, he comes to know them and something of their stories. Of their families, lost to them, or killed in frightening circumstances. His life acquires a purpose: helping the men fight their corners, seeking funding. He discovers his own country’s dark past, the prejudices still alive and powerful among politicians, many of the general population and his own friends. He finds a legal situation where each country with whom the asylum seekers have contact have a get-out clause enabling them to move these men on to somewhere else. This quietly, lyrically told told but urgent story is an indictment of that system. Absolutely nothing has got better since 2017, when this novel was published. Required reading for Suella Braverman and readers of the Daily Express.

Unusually, there is a further link between all these books. I’ve read them all in the last month, and with one exception, wholeheartedly recommend them: especially the Winn and the Erpenbeck.

Next month’s starter book is Anna Funder‘s Wifedom, which examines the life of George Orwell’s wife. It’s well reviewed here, and I’m looking forward to finding a copy.

And finally, those of you whose TBR pile totters and becomes more unstable by the day might enjoy the cartoon highlighted today in Brian D Butler’s Travel Between The Pages.

Rompecabezas

Every month, Rebecca over at Fake Flamenco sets a poetry challenge. This month, her chosen theme is – puzzle. Once our offerings are in, she sets herself a puzzle, and translates every single one into Spanish. Hence my post’s title. I reckon translating mine will definitely set out to romperle la cabeza (break her head).

Puzzle

I'm always frazzled by a puzzle.
My mind dries up, my brain's a-sizzle.
The answer's muzzled in my head
then bustles off - it's such a hassle.
I'm frizzled up and start to grizzle.

Let's just give up - go on the razzle.
Karla Hernandez: Unsplash. The header image, also from Unsplash, is by Mel Poole.

Townie Toddler in the Countryside

Townie Toddler has gone back to Spain. The house suddenly seems unwontedly calm and quiet. Rather dull really. This is probably because the two old fogies who live here have no remaining energy – for a day or two at least.

Townie Toddler’s mum wanted her daughter to spend time being a child of the countryside – spending time with its animals, plants and wide open spaces. So off we went on Saturday to Borrowby Show. Horses from shire horses to the tiniest of ponies, sheep, dogs and small animals were all Being displayed to best advantage. Oddly, the only cattle were two charming Jersey calves. One of the set pieces in the afternoon was of The Hunt. Definitely NOT our thing. But Anaïs enjoyed the chance to meet the docile and well-behaved beagles who later tore round the show ring in pursuit of – luckily – a less than realistic hare, who doubtless smelt right.

Here’s our day:

Then the next day, on our way to the airport, it was Meanwood Valley Urban Farm. It was somewhere we often went when we lived in Leeds, and the children were smaller. We loved it then. Now it’s re-invented itself. It’s larger. It has peaceful walks where you can lose yourself in dense copses and apparently distant views. It has all the farmyard animals you’d expect. Yet it’s within walking distance of Leeds City Centre. It has a vegi-box scheme. A bike workshop. It works with volunteers, those with learning disabilities, disengaged young people, and is a welcoming and environmentally focussed part of its local community. It also has a really great café. We spoke to staff and volunteers who talked with pride and enthusiasm about this special place. Almost worth moving back to Leeds for. It was a wonderful finish to Anaïs’ and Emily’s English break.

Brian? Do you see those pigs? That shot’s my Last on The Card in July.

Old News Comes into its Own

As soon as Denzil asked us to focus on tree bark for this week’s Nature Photo Challenge, I remembered a visit we’d had to Westonbirt Arboretum with my daughter-in-law’s parents. I blogged about it at the time: it was all but ten years ago. Time to re-purpose this old post!

‘Trees are the earth’s endless effort to speak to the listening heaven’*

September 22nd, 2013

On Friday our co-in-laws took us to Westonbirt Arboretum.  If you’re spending a few days round Bristol and Bath there’s no better place to recharge your batteries.  You could pass the morning in the Old Arboretum, a carefully designed landscape dating from the 1850’s.  There are something like two and a half thousand varieties of tree – 16,000 specimens in all,  from all over the world, planted according to ‘picturesque’ principles of the 18th and 19th centuries, offering beautiful vistas, enchanted glades and stately avenues.  After a light lunch in the on-site restaurant you could go on to explore the Silk Woods an ancient, semi-natural woodland, or the grassy meadows of the Downs.

It was Robert Holford who designed and encouraged the planting of the Arboretum, back in the mid 19th century.  This was a period when plant-hunters were bringing new and exotic species back from their world-wide travels. Holford was able to finance some of these expeditions, and the Arboretum contains many of the specimens his scientific adventurers brought back.

Truly, it’s a magical place.   We arrived, let out a collective sigh, and simply allowed  stress and worry to fall away.  Strolling about, we gazed upwards at trees whose end-of-summer leaves seemed to be fingering the clouds, into copses where we could glimpse others already turning to the ochres and russets of Autumn, and then closely at the trees themselves.  It was the bark that caught our attention close up.  Smooth and silvery, brown and knobbly, grey and wrinkled, the variety astonished us.  Take a look at these.  And if you get a chance to visit this Arboretum, at any time of year, then take it.

*Rabindrath Tagore

‘Inspiration is needed in geometry, just as much as in poetry’

We were in the grounds of Harewood House the other day. Well, mainly we were in its adventure playground: we had our daughter and two year old granddaughter in tow. But we did walk through the formal outdoor areas near the house too, and we happened upon this hyper-geometric topiary garden.

I wondered if the quotation by Aleksandr Pushkin which forms the title of this post fitted the bill. A well-formed garden seems to me a thing of poetry. And this well-formed garden, which I was surprised to find I rather liked, is a thing of geometry too.

It’s the first time I’ve joined in Paula’s Words of Wisdom challenge, where she invites an image with a matching quotation. Let’s see if it cuts the mustard.

Mainly about reeds and rushes.

This week’s Nature Photo Challenge from Denzil is about water plants. My archive has not been especially revealing, and if you think I’m going out on this day of torrential rain to find more, you’ve got another think coming. Perhaps this is a chance to join in to with Jez’s Water Water Everywhere challenge too?

I’ll issue a challenge of my own too. I rather like the images below of spiky, statuesque reeds and grasses in black and white. But perhaps you prefer the original colour?

My first one is from the lake at Kiplin Hall, North Yorkshire

Then we’ll move to Lake Prespa in Greece, where the reeds obscure a handsome egret.

Then back to England, to the River Wye in Derbyshire.

This is a local Nature Reserve at Staveley, North Yorkshire on a bitingly cold day which at least the bulrushes could endure.

My header photo is also from Lake Prespa. I thought the egret and his reedy background demanded colour. Just as my final shot, taken in the gardens of the National Museum, Seoul. South Korea rather requires that splash of orange.

Today, I’m blowing my own trumpet

Last weekend, Masham, the town up the road had its wildly popular Steam Engine and Fair Organ Rally. With heavy rain forecast, this year we didn’t go to the out-of-town fields (doubtless muddy) where it’s held. Anyway, we had an exhibition to get to – Masham Photographic Club always has a display in town during the Fair, and invites members of the public to vote for their favourite four images, out of – this year – a field of 57.

By Monday, the votes were counted and the winners announced. Astonishingly, I took first place. And second. Probably because they’re local views. The winning shot is my header photo, and below is the runner-up.

Eavestone Lake

The header photo was just sheer serendipity. Walking down the lane early one morning I saw the scene you see now. I jut happened to have my phone with me, and captured the moment.

For Debbie’s Six Word Saturday.

What’s the Point of Fences?

Here in England, in the countryside, we tend to rely on walls and hedges to divide up farms and fields, leaving fences to suburban gardens. Though fences are becoming increasingly common as the years pass. And sometimes fences are added to walls that are getting old and past it. In this shot, I think the fence may be past it too.

I’ve been looking for fences for this week’s Lens-Artists Photo Challenge. I found fences to contain animals:

I found fences that have objects suspended from them:

… deliberately in the case of the moles. Molecatchers round here have the unhappy habit of suspending their deceased victims from fences, to advertise their services. And, perhaps, to deter other moles …

… accidentally in the case of sheep’s wool…

… deliberately in the case of young lovers declaring their – perhaps – lasting attachment to each other by attaching a padlock to a fence edging a bridge or harbour railing…

Then there are fences for perching on.

Stonechat

And there are fences for making statements. Here’s a local garden fence repurposed during Covid Lockdown in 2020 to thank the NHS. The nurse behind was part of our village’s scarecrow competition which celebrated keyworkers, from NHS staff to supermarket delivery drivers.

Local farmers at election time tend to give the oxygen of publicity to our sitting MP, by advertising him on their walls and fences It wasn’t me who bent the poster over, making it nearly illegible. But I’d definitely have given a hand to the perpetrator.

And finally, though in fact it’s my header photo: a fence in winter. It’s by way of being a historical curiosity. Snow is so last decade, or even last century.

For Dawn’s Lens-Artists Photo Challenge #258