Dumfries & Galloway is our new favourite place. We felt as though we’d discovered it and had it all to ourselves. We explored the wildly beautiful and seemingly remote Cairnsmore of Fleet National Natural Nature Reserve. We found ancient cairns. We slogged up hills for the sake of views over the Solway Firth. And we enjoyed the beaches. We’ll take a virtual seaside trip today: there’s not a fairground ride, amusement arcade or kiss-me-quick hat in sight. There’s not even a chippie. Just us, the rocky shore, and the sea, advancing or retreating with the tide.
Let’s begin at Mossyard Bay. I sent you a postcard from there just last Thursday.
A rocky shore
So many shells.
The tide’s just gone out.
There’s sand as well as rock.
This seemingly ancient labyrinth was constructed in 1990 on a small island that develops every time the tide comes into Mossyard Bay.
Plants cling to any dry shard of rock.
Near Mutehill, Kirkudbright, early one morning.
Finally, Carsethorne, near Dumfries. It’s a small hamlet now, but it used to be a busy port, shipping people to Liverpool, to the Isle of Man and to Ireland on their way to a new life in the New World.
In her Photo Challenge this week, Jude asks us to look upwards, and shoot our subject from below.
Somehow this instruction reminded me of the first period of lockdown, when staying isolated and close to home was fresh and new: when we country-dwellers had the small pleasures of watching the spring unfold. Each day’s main event was watching the subtle changes in the nearby verges and fields, and in the trees and clouds.
With no job-plus-childcare to juggle, no worries about actually losing an income, this simple period, when the spring weather was almost unfailingly sunny and warm, was a time of some happiness.
Since then, things have fallen apart somewhat. Compliance, and confidence in the government’s competence and probity plummets, and nobody regards the prospect of a long hard winter ahead with anything better than disaffected resignation if they’re lucky, real fear if they’re not.
For one day only then, let’s look upwards – and backwards – to the spring 0f 2020.
Sheep – always sheep round here .. near Masham …
… near Tanfield, with her lamb …
…and another sheep and lamb in Tanfield.
Spring catkins.
Spring grasses in a field near West Tanfield.
And crops, long before the recent harvest.
And cow parsley … everywhere.
Poppies sneak a prime spot on the bridge at West Tanfield.
Whereas these poppies were where they ought to have been, edging a field of Barley in West Tanfield.
This thrush was our constant background summer during the month of May.
Our neighbours aren’t sure if this is Basil or Brenda, the resident woodpgeons.
The red tops blazed next week’s news: ‘A September Scorcher! 30º!’
Anyone living north of Watford Gap, or west of Slough knew better than to believe it, because only south-east England counts if you’re a London-based hack. We Yorkshire types needed to read the small print to discover that northerners could merely expect pleasant warmth, a gentle breeze and no rain whatsoever. Which was fine for a Sunday walk in Wensleydale.
On the way over there, it rained. Getting ready for the walk, it rained. The wind snatched urgently at our waterproofs and blew our hair in our eyes. Mist rose from the valley bottom. Grey cloud descended and thickened.
We didn’t mind. The rain soon stopped: it was warm, and those grey skies made for moody, atmospheric scenery. But our friend Gillian, who’d planned the walk, doesn’t know the meaning of the word ‘stroll’ and had us battling boggy paths, and huffing up rough pastureland on semi-vertical hillsides. We took it in good part.
But what rewards. We had the constant backdrop of the Wensleydale hills. Semerwater glittered at us from a distance: but close up, insistent waves rushed constantly towards our toes.
Semerwater.
Semerwater.
I don’t know who these two bikers are. But they enjoyed the view too.
We had a march along a Roman road. And at the end, blue skies, sunshine, and a relaxing cup of tea on the village green at Bainbridge.
The Roman Road.
This week’s photo challenge is to make use of empty, unoccupied space in our pictures : to make it part of the story. As I walked yesterday, I tried to use negative space: in this case, mainly the sky.
This is not the week to get out and about with my camera looking for Unusual Points of View for Jude’s Challenge. Here’s why: *
The view from the bedroom window.
She’d like us to shoot something often photographed, but choose a less usual point of view. I thought I’d combine it with a mini-break for us all.
Let’s go to Bamberg. The old town there, a UNESCO World Heritage site, largely built on the rivers Regnitz and Main, between the 11th and 19th centuries can easily keep you busy and charmed for several days. You can visit the main sites here.
But we have a job to do – Jude’s challenge.
This week's assignment - take a picture of a frequently photographed subject like a flower or a person's face from an unusual POV. How can you create an out-of-the-ordinary shot?
We’ll wander along the river to get a different view of the much photographed Old Town Hall.
A view of the Old Town Hall from the riverside of the Old Town.Another view of the Old Town, seen from the comfort of a bar.
Little Venice, seen from the opposite bank of the river.
In the afternoon, we’ll go out of town and take a trip toSchloss Seehof. It was built as a palace and hunting lodge for one of the Prince-Bishops of Bamberg between 1684 and 1695. I wanted to capture the idea of this stylish palace being very much a place-in-the-country.
A view from the parkland.Some of the parkland has become a nature reserve, with ponds and wetland. That’s the side of the palace I wanted to show here.
A short trip, I’m afraid. But with travelling being so difficult nowadays, short, sweet and virtual is probably the way forward.
I was casting around wondering what to post for this week’s Lens-Artists Challenge, Labour of Love. And I remembered a wonderful experience I had when I lived in France, when I was part of a small team invited to cook an English school dinner for a local primary school. Truly, the experience was a Labour of Love, as it was for the charismatic school cook, each and every day. My memories of this special day are entirely positive and happy.
September 26th 2012
‘School dinners, school dinners….
‘School dinners, school dinners.
Iron beans, iron beans.
Sloppy semolina, sloppy semolina –
I feel sick, get a bowl quick.’*
Do you remember this cheery ditty from your days eating school dinners? Only if you’re British, I suppose. And most right-thinking French men women and children would be quite prepared to believe that all English food is just like that.
Not the mayor of Villeneuve d’Olmes, where Découverte de Terres Lointaineshas taken its Yorkshire exhibition this week. Back at the planning stage, he’d told us about their school caterer, M. Feliu, who uses almost entirely organic or local ingredients, and who likes to introduce the children to the cooking of other countries every time the excuse arises.
We met M. Feliu at La Freychède. We worked together to produce a menu (Cheap. Tempting to the young French palate. Three courses that work with the kitchen facilities to hand. Conforming to nutritional standards).
The school kitchen.
This is what we came up with:
Crudités with beetroot chutney
Macaroni cheese with green salad
Blackberry and apple Betty with custard.
Yesterday was the day. I turned up at 10.00 with my English friend and colleague Susie to find the work almost done. All we had left was to churn out batons of carrot, black radish and cucumber for the first course, which was not, let’s face it, Awfully British. But it had to fit in with other considerations as above.
M. Feliu in full chef’s garb.
Me, in what passes for full chef’s garb.
Susie, ditto. I can’t remember what the face-mask was for in pre-Covid times.
11.00: The prepared and cooked food was heaved into insulated containers, and transported by van to one of the local schools.
Catering-sized ovens.
Catering sized macaroni cheese.
Delivery-time.
11.30. Ditto with van number 2. This batch was sent off to Villeneuve d’Olmes, with me following.
12.00. Children arrived at the canteen. One of the helpers, Pascale, spoke good English. ‘What’s your name?’ she’d say to each child in English. When she had her reply, they could go in, and sit down at one of the circular tables, tinies in one room, and juniors in another. I joined a table of lively 7 year olds.
Part of the week’s menu.
The dining room awaits …
The children file in.
One of the staff told me the rules that the children expect to follow:
Take turns to serve the dishes of food to everyone at table.
Wait till everyone’s served before beginning to eat.
Try everything.
You can have the portion size you choose. Once it’s on your plate though, you have to eat it.
Everyone accepts this and we all sat together, eating and chatting. The children chomped their way through all the crudités, they even enjoyed the chutney, whose sweet and sour taste is not an automatic choice round here.
Once cleared away, bread appeared on the table – this is France after all.
Raw veg go down just fine.
It wouldn’t be France without bread on the table …
… or salad.
Two more children served the macaroni cheese and the salad. Most of us came back for seconds.
We sang ‘Happy Birthday’ – in English – to a birthday girl.
I gave an impromptu talk on the food on offer.
The blackberry and apple Betty was served. Yum! How could it fail? Gently cooked fruit with a crunchy crust of soft breadcrumbs crisped in golden syrup and butter, with obligatory custard, of course.
Then the children cleared their tables, stacking dirty plates and glasses neatly for washing up, before going off to play.
Macaroni cheese….
,,, and apple betty with custard.
I was so impressed. The children here learn that the midday meal is so much more than a pit-stop. The expectations, reinforced daily, are that this is a moment to spend with friends, a time to share, to think about the needs of others, and to appreciate the food on offer. The occasion lasted well over an hour.
The view from the kitchen door.Another view from Villeneuve.
I’ve woken up feeling unaccountably gloomy this morning. Is it the fine but insistent rain? Is it the spike in Covid figures that seems to presage what this winter may be like? I don’t know, but Positivity seem to be called for, and a Virtual Day Out in the Sun.
Let’s go to the seafront in Barcelona, and have a look at a very up-beat window with varied viewpoints.
When I first joined Six Degrees of Separation last month, I was quite delighted at how far my chain of books stretched from the original. This time, I’ve gone on a changed journey. Each of my books links together. And yet they are all so different. Have a look.
I haven’t yet read Rodham. I’m a huge fan of Sittenfeld’s writing, but the reviews for this latest book, featuring Hillary Clinton, are very mixed. Kate, who hosts Six Degreeswasn’t all that keen. This bookis a re-imagining of a life, that of a known individual, so that’s my starting point.
Here’s another re-imagining, this time from Greek mythology: Circe, by Madeline Miller. Immortal Circe tells her story through the hundreds of years of her life. She’s known Prometheus; Daedalus and Icarus; Ariadne and the Minotaur; Jason of Golden Fleece fame, and most importantly, Odysseus, and has stories about all of them. Over the years – the centuries – she develops her skills as a witch, We witness her growing independence; her satisfactions as she develops her spells; her joys and loneliness. She takes lovers as they come her way, but never abandons herself to them: until Odysseus .. and Telemachus …
Might Circe have thought this view familiar? Skala Eressos, Lesvos, Greece, Image from Unsplash (Tania Mousinho)
Next is another strong, independent woman: A real one, telling her own story: Stories of the Sahara. The writer Sanmao was a Chinese/Taiwanese woman married to a Spaniard, who realised her obsession to live in the Sahara desert. She was feisty, opinionated, driven, and made it her business to get to know the locals and understand their lives in a way no tourist can.
Sand, but not Saharan sand. This is the beach at Alnmouth, Northumberland UK.
It dawned on me that there’s a theme developing here. These are all stories of women, by women. So let’s stick with it, and look at another independent woman’s story: Raynor Winn’s The Salt Path. It’s the account of a long distance walk undertaken by Ray and her husband when everything that possibly could go wrong in their lives had gone wrong. They’d lost their home, their livelihoods, and in her husband’s case, his health. In one sense they walked away from their problems, spending a year living rough and walking England’s South West Coastal Path. It became their journey towards a new life.
This isn’t Cornwall, but Pembrokeshire. However, it is a coastal path with many similarities to that pounded along by Raynor and her husband.
More strong women, more sea, more difficult times: the diving fisherwomen – haenyo – of Jeju Island, South Korea. The Island of Sea Women by Lisa See tells an involving story following the story of two women whose lives develop through their membership of the haenyo culture, as they live through a twentieth century defined in Korea by occupation, internal conflict, deprivation and rapid change.
This isn’t Jeju Island, but it is South Korea: Igidae, near Busan, and a similar coastline.
Over to Russia. Zuleikha by Guzel Yakhina. This story, with a young uneducated Tatar woman at its heart, does much to bring to life the gulags and their unhappy part in Soviet history. Zuleikha is the young wife of a prosperous young farmer. After his murder she’s taken prisoner and survives an apparently endless train journey and real physical, emotional and economic hardship, into a previously unpopulated part of Siberia where against the odds, she builds a life.
On our way home from South Korea, we flew over Siberia, still an astonishingly unpopulated region.
Gina’s life is very different. She’s a spoiled, headstrong, privileged 14 year old Hungarian who for her own protection during WWII is sent away to a puritanical isolated boarding school where she has some hard lessons to learn. But what has Abigail, a classical statue in the school’s grounds, and who will receive messages from the pupils got to teach her? Read Abigail by Magda Szabó to find out.
The church at Arkod, the town where Gina’s boarding school is situated (Wikimedia Commons).
We’ve been to three continents and six countries, gone back in time and remained in the present. We’ve met rich women, poor women, privileged women, and those who often feel without hope. Here’s a chain with six strong links.
Early morning mistiness: looking across to the Howardian Hills.
We’ve just come back from a weekend in the Howardian Hills – that slice of Yorkshire that includes Castle Howard, where that iconic TV series Brideshead Revisited was filmed in the 1980s.
For farmers, it’s a wealthy little corner of the county, with fertile fields offering a steady income in return for careful husbandry. Well-constructed farm gates at the end of tidy tracks are handsomely buttressed by smart stone gate posts. Crops stand to attention and weeds show their faces only at field margins. Agricultural labourers are no longer tenants in those postcard-perfect villages.
Trees neatly marching across a hill crest.
Our late August break was not accompanied by late summer weather. Although it didn’t rain, skies remained sulky and black. Wind bustled and gusted fiercely against our faces. The temperature hovered at 11 degrees all weekend. Perfect for this week’s Photo Challenge, for which brightly luminous blue skies contrasting with the golden hues of harvest simply Would Not Do.
This month's final assignment - Experiment with using two or three Complementary colours. Try to make one or two colours the focus of the image, and use the other colour to enhance the overall image.
I’ve taken images from fields, from distant vistas, and from the one abandoned ruined grange we came across, where farm animals still grazed in the grassy yard. I’ve played around with colour contrast: aiming to make my results what my eyes thought they saw, rather than what my camera knew it saw.
This is what my eyes, not the camera saw.I liked the only splash of colour here: those orange beaks.
