‘On the first Saturday of every month, a book is chosen as a starting point and linked to six other books to form a chain. Readers and bloggers are invited to join in by creating their own ‘chain’ leading from the selected book.‘
I haven’t read What are You Going Through by Sigrid Nunez, so I’ll rely on Kimbofo’s summary in her blog post on this book: ‘This is a story about stories — the stories we hear, the stories we write, the stories we tell ourselves… It’s about truth and fiction, confronting our fears, searching for hope to sustain us and caring for others. Most importantly, it’s about life and death, and asks pertinent questions about what makes a good life — and what makes a good death.’
My link to this is Alice Zeniter‘s The Art of Losing, a story told through the eyes of Naïma, a third generation French-Algerian. I was engaged in this book from start to finish. It’s the 70 year story of a family, and begins in a village in Algeria, where Ali has made good and become a figure of some importance in his family and community. The Algerian War of Independence changes all that, and forced to flee to France, they become harkis (French Algerians), despised alike by the French whom they live among and Algerians who remained in the home country. A life of camps and sub-standard accommodation and work awaits them. It falls to university-educated Naïma, Ali’s granddaughter, finally to visit Algeria again and make some sense of what she finds. This is a story about colonisation, immigration, and how to carry on in the face of the loss of your country and cultural identity, and is both a powerful history lesson and a meditation on the difficult questions posed by the cultural upheaval of being forced to leave your home country.
This leads me to Doria, a French-Moroccan teenager living with her mum in one of the soulless housing projects that encircle Paris, and whose story is told by Faïza Guène in Kiffe Kiffe Demain. We were living in France when I read this – oh, maybe ten or more years ago. But it’s stayed with me as a touching, funny and furious story of a sparky young woman prepared to make a go of things when her education, her family circumstances, her address, and a dose of casual racism stacks everything against her.
Another story of an immigrant, and like The Art of Losing, based on fact. The Fortune Men, by Nadifa Mohamed is a re-imagining of the life of a Somali seaman, Mahmood Mattan, wrongfully convicted of the murder of a Cardiff shopkeeper, Violet Volacki. At first the book swings between telling Mattan’s story and that of the victim, and her family. As the story unfold, Mahmood blossoms as a character. He’s a chancer, a thief, an adventurer, a lover and a doting father of three little boys. But he’s not a murderer. He’s the victim of racism, both from different elements of the multi-ethnic community in Cardiff where he then lived, and institutional racism at the hands of the Police, false testimony, and fabricated evidence. The most involving part of the narrative describes Mattan’s incarceration, when he evolves and shape-shifts as a character: tough, vulnerable, a risk taker, a believer in British justice. A moving, nuanced and compassionate re-imagining.
The same period of history, but we’re moving to London for Frances Spufford‘s Light Perpetual. I liked this book. I had high expectations, having thoroughly enjoyed Golden Hill and Red Plenty, and while this didn’t quite measure up, reading this book was time well spent. Several children died in South London during WWII when a Woolworth store took a direct hit. What if they’d lived? This is what Spufford explores, dropping in on 5 lives at 15 year intervals. The writing is good – that goes without saying. My only reservations are that the five characters he choses live lives which are all late 20th century issue-driven: the woman married to a National Front thug; the music lover who makes good in the 1960’s popular music scene; the sufferer from inner demons, addicted to his prescribed drugs; the Sahf London wide boy, and the print-worker whose career is swallowed away by the computer revolution. Accepting all this, the book is well done and realised and carried me along to its conclusion, a re-working of Psalm 150, which was a staple of my London C of E grammar school days at exactly this period.
Children died in my next choice too. The Green Hollow by Owen Sheers. I was 19 when disaster struck Aberfan, just doing an afternoon shift in the lending library where I worked. No internet then, no social media. It was rare for news items to reach us during the working day. But this did. And it touched us, horrified us even before we understood the full extent of the tragedy, though we didn’t talk about it together. It was too shocking. Owen Sheers put me back in touch with those feelings. He paints a scene of ordinary families getting ready for the day, ordinary children chattering their way to school, an ordinary teacher taking the register. A series of letters explain why the Coal Board is taking no action about the slag heaps, despite the concerns of the council. And then …. a rumble, a roar develops. That is all. Then we switch immediately to the rescue. To the young medical student who finds himself unwittingly part of the rescue operation, to the miners, parents, journalists. To the street where every single house has the curtains drawn. Death has touched them. Now the town is different. Life goes on. It has to. Children yearn to appear on ‘Strictly’ while every year commemorating what happened all that time go. Scars exist alongside hope.
Goodness. I can’t leave things here. What can I do to lighten the mood? Well, it’s a bit of a stretch, but I have taken you round Europe and Africa, and maybe we went by ship. Deep Sea and Foreign Going: Inside Shipping, the Invisible Industry That Brings You 90% of Everything, by Rose George. Fascinating. The story of container shipping. How it gets from A to B. Why it gets from A to B and under what constraints. What it transports from A to B and then from B to A. How goods got from A to B prior to container shipping… and so on. There was me thinking that I was trying to be green, avoiding air freight where possible. It turns out that container ships are dirty, polluting, can employ crew in less than savoury conditions and for slave-wages, and which expose them, among other things, to piracy. Frankly, it sounds hell. And yet … the camaraderie and the draw of the sea encourages some to come back, contract after contract to a world they love. Beautifully written, absorbing and informative. A book I would never have chosen to read – but that’s what bookish friends are for. Thanks, Penny!
PS. In a recent post, I indicated that I would post a review of Yrsa Sigurðardóttir: Gallows Rock. It got edged out, but I’m sure its moment will come.
PPS. Frank’s Beach Walk Reflections are his thoughts as he enjoys a seaside walk. Today, he’s thinking about red, and he’s used some of my photos, as well as those of three fellow-bloggers. You might like to take a look.